"Fontane di Roma, P. 106: IV. La fontana di Villa Medici al tramonto" by Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli was released on January 1, 1993. Fontane di Roma, P. 106: IV. La fontana di Villa Medici al tramonto is about six minutes long, preciously at 6:05, making this song fairly long compared to other songs. There are a total of 12 in the song's album "Respighi: Pini di Roma; Fontane di Roma; Feste Romane". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. Fontane di Roma, P. 106: IV. La fontana di Villa Medici al tramonto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fontane di Roma, P. 106: IV. La fontana di Villa Medici al tramonto by Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli having a BPM of 61 with a half-time of 30 BPM and a double-time of 122 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prince Igor: Polovtsian Dances (Remastered): No. 17b, Allegro vivo | Alexander Borodin, Leonard Bernstein, New York Philharmonic | F Major | 2 | 7B | 79 BPM | ||
St Matthew Passion, BWV 244: Part II, No. 47: Aria "Have Pity, Lord, On Me" | Johann Sebastian Bach, Leonard Bernstein, New York Philharmonic | E Minor | 2 | 9A | 99 BPM | ||
Kammermusik No. 1, Op.24 No.1: I. Sehr schnell und wild | Paul Hindemith, Claudio Abbado;Berliner Philharmoniker, Claudio Abbado, Berliner Philharmoniker | B Major | 4 | 1B | 137 BPM | ||
The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | Gustav Holst, Leonard Bernstein, New York Philharmonic | C Minor | 3 | 5A | 60 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: IV. Allegro con brio | Dmitri Shostakovich, André Previn, William Vacchiano, New York Philharmonic, Leonard Bernstein | G Major | 2 | 9B | 124 BPM | ||
Ma mère l'oye, ballet, M. 62: 3. Les Entretiens de la Belle et de la Bête.Mouvement de Valse modéré | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | G Minor | 0 | 6A | 89 BPM | ||
Pavane pour une infante défunte | Maurice Ravel, Leonard Bernstein, New York Philharmonic | G Major | 0 | 9B | 87 BPM | ||
Water Music Suite No. 1 (Excerpts): 7. Bourree | George Frideric Handel, New York Philharmonic, Pierre Boulez | C Major | 2 | 8B | 125 BPM | ||
Carnival Overture, Op. 92 | Antonín Dvořák, Leonard Bernstein, New York Philharmonic | D Major | 3 | 10B | 145 BPM | ||
Dolly, Op. 56: 5. Tendresse | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM |
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