Tor Aulin, WDR Rundfunkorchester Köln, Niklas Willen's '3 Dances from Gotland, Op. 28: No. 3, Moderato maestoso' came out on January 28, 2013. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 12 in Aulin: Master Olof Suite, 4 Swedish Dances & 3 Dances from Gotland by Tor Aulin, WDR Rundfunkorchester Köln, Niklas Willen. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, 3 Dances from Gotland, Op. 28: No. 3, Moderato maestoso is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 3 Dances from Gotland, Op. 28: No. 3, Moderato maestoso by Tor Aulin, WDR Rundfunkorchester Köln, Niklas Willen is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Renaissance Concerto: IV. Jouissance | Lukas Foss, Amy Porter, Buffalo Philharmonic Orchestra, Joann Falletta | A Minor | 1 | 8A | 147 BPM | ||
Viola Concerto: I. Andante comodo | William Walton, Lawrence Power, Ilan Volkov, BBC Scottish Symphony Orchestra | A Minor | 1 | 8A | 139 BPM | ||
Belkis, regina di Saba, P 171: III. Danza guerresca | Ottorino Respighi, Alessandro Crudele, London Philharmonic Orchestra | D♭ Major | 2 | 3B | 130 BPM | ||
Erlkönig, D. 328 - Arr. for Sextet by R. Leleu | Romain Leleu Sextet, Romain Leleu | G Minor | 0 | 6A | 82 BPM | ||
Couvin, S. 2: Act II Prelude | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | C Major | 0 | 8B | 167 BPM | ||
Aubade, FP 51a: VIII. Andante. Variation de Diane | Francis Poulenc, Ronald Corp, New London Orchestra, Julian Evans | E Major | 0 | 12B | 178 BPM | ||
Sally in Our Alley (arr. for string orchestra) | Frank Bridge, Budapest Strings, Karoly Botvay | G Major | 2 | 9B | 144 BPM | ||
La Bohème, SC 67, Act III: Speravo di trovarvi qui | Giacomo Puccini, Cincinnati Pops Orchestra, Erich Kunzel | F Major | 1 | 7B | 89 BPM | ||
Kansalaislaulu (Olet maamme armahin Suomenmaa) | SRK Instrumentaali, Virve Ruokokoski, Kristiina Puolitaival | B♭ Major | 1 | 6B | 64 BPM | ||
3 Dances from Gotland, Op. 28: No. 3, Moderato maestoso | Tor Aulin, WDR Rundfunkorchester Köln, Niklas Willen | C Major | 3 | 8B | 114 BPM |
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