"Le prophète / Act 4: Coronation March" by Giacomo Meyerbeer, London Symphony Orchestra, Richard Bonynge was released on January 1, 1973. The duration of Le prophète / Act 4: Coronation March is about 3 minutes long, at 3:26. Based on our data, "Le prophète / Act 4: Coronation March" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 15 in Ballet Music And Entr'actes From French Opera by Richard Bonynge, London Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Le prophète / Act 4: Coronation March is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Le prophète / Act 4: Coronation March by Giacomo Meyerbeer, London Symphony Orchestra, Richard Bonynge is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Piano Concerto No.23 In A, K.488: 3. Allegro assai | Wolfgang Amadeus Mozart, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini | A Major | 1 | 11B | 135 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.2 in E Minor (Allegretto scherzando) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | G Major | 2 | 9B | 138 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: II. Rondo: Presto | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | A Major | 1 | 11B | 138 BPM | ||
Four Songs, Op.2: 2. The Nightingale and the Rose | Nikolai Rimsky-Korsakov, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman | B Minor | 0 | 10A | 87 BPM | ||
L'africaine "Vasco da Gama" (J. Selk Critical Edition), Act III: Au mât du vaisseau qu'on l'attache | Giacomo Meyerbeer, Andreas Bauer Kanabas, Michael Spyres, Claudia Mahnke, Kirsten MacKinnon, Brian Mulligan, Frankfurt Opera Chorus, Antonello Manacorda, Frankfurter Opern- und Museumsorchester | C Major | 2 | 8B | 133 BPM | ||
Das Waldmädchen: No. 20, Allegro vivace | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | F Major | 1 | 7B | 100 BPM | ||
Borodin - String Quartet No.2 in D major: Scherzo: Allegro | Alexander Borodin, Borodin Quartet | C Major | 2 | 8B | 121 BPM | ||
Mass No. 6 in E-Flat Major, D. 950: Sanctus: Sanctus Dominus | Franz Schubert, Birte Kulawik, Dorothea Craxton, Cornelia Rosenthal, Raimund Minarschik, Rolf Ehlers, Klaus Schredl, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | D Major | 3 | 10B | 142 BPM | ||
A Fugal Concerto, Op. 40: II. Adagio | Gustav Holst, Anna Pyne, Philip Harmer, English Sinfonia, Howard Griffiths | D Major | 1 | 10B | 60 BPM | ||
L'africaine "Vasco da Gama" (J. Selk Critical Edition), Act I: Le conseil souverain | Giacomo Meyerbeer, Andreas Bauer Kanabas, Michael Spyres, Magnus Baldvinsson, Thomas Faulkner, Michael McCown, Antonello Manacorda, Frankfurter Opern- und Museumsorchester, Frankfurt Opera Chorus | C Major | 2 | 8B | 133 BPM |
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