Spring Symphony, Op. 44: 10. Fair and fair - Benjamin Britten, Alison Hagley, John Mark Ainsley, Philharmonia Orchestra, John Eliot Gardiner Information

Acousticness: 97%
Danceability: 30%
Energy: 10%
Instrumentalness: 1%
Liveness: 57%
Loudness: 57%
Speechiness: 6%
Valence: 29%
Popularity: 0%
Loudness: -25.981 dB

Summary

Benjamin Britten, Alison Hagley, John Mark Ainsley, Philharmonia Orchestra, John Eliot Gardiner's 'Spring Symphony, Op. 44: 10. Fair and fair' came out on June 27, 2020. The duration of Spring Symphony, Op. 44: 10. Fair and fair is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Spring Symphony, Op. 44: 10. Fair and fair's duration is considered a little bit shorter than the average duration of a typical track. The song is number 43 out of 61 in Britten: His Music by Benjamin Britten. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Spring Symphony, Op. 44: 10. Fair and fair is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Spring Symphony, Op. 44: 10. Fair and fair BPM

The tempo marking of Spring Symphony, Op. 44: 10. Fair and fair by Benjamin Britten, Alison Hagley, John Mark Ainsley, Philharmonia Orchestra, John Eliot Gardiner is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Spring Symphony, Op. 44: 10. Fair and fair Key

B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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St. Paul's Suite, Op. 29 No. 2, H 118: 4. Finale (The Dargasson): Allegro	Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood	E♭ Minor	1	2A	100 BPM
Brandenburg Concerto No. 4 in G, BWV 1049: 1. Allegro	Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten	B♭ Major	1	6B	109 BPM
The Wreckers: Overture	Dame Ethel Smyth, Sakari Oramo, BBC Symphony Orchestra	C Major	8	8B	176 BPM
Les animaux modèles Suite, FP 111: II. Le lion amoureux	Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud	E Minor	3	9A	86 BPM
The Turn of the Screw Op. 54, Act One: Scene 8 : At Night (Governess/Mrs. Grose/Miles/Flora/Quint/Miss Jessel)	Benjamin Britten, Ian Bostridge, Daniel Harding, Mahler Chamber Orchestra	B♭ Minor	1	3A	71 BPM
Ein deutsches Requiem, Op.45: 5. Solo (Sopran) und Chor: "Ihr habt nun Traurigkeit"	Johannes Brahms, Barbara Hendricks, Rudolf Scholz, Wiener Philharmoniker, Herbert von Karajan, Wiener Singverein	G Major	0	9B	92 BPM
Suite pastorale: III. Sous-bois	Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner	G Major	0	9B	0 BPM
Rejoice in the Lamb, Op. 30: For the instruments are by their rhimes	Benjamin Britten, Benedict Giles, Malcolm Green, Simon Wall, Thomas Williams, Iain Farrington, Choir of St. John's College, Cambridge, Christopher Robinson	B♭ Minor	0	3A	133 BPM

ISRC: DEF059531710
Label: L-M Records/RCA Records

Section: 0.8320426940917969

End: 0.8362562656402588