Les heures persanes, Op. 65: No. 11. A l'ombre, pres de la fontaine de marbre - Charles Koechlin, Cindy Lin Information

Acousticness: 99%
Danceability: 35%
Energy: 7%
Instrumentalness: 92%
Liveness: 10%
Loudness: 51%
Speechiness: 5%
Valence: 12%
Popularity: 0%
Loudness: -29.217 dB

Summary

"Les heures persanes, Op. 65: No. 11. A l'ombre, pres de la fontaine de marbre" by Charles Koechlin, Cindy Lin was released on October 14, 2014. The duration of Les heures persanes, Op. 65: No. 11. A l'ombre, pres de la fontaine de marbre is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Les heures persanes, Op. 65: No. 11. A l'ombre, pres de la fontaine de marbre's duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 19 in French Character Pieces by Cindy Lin. Based on our statistics, Les heures persanes, Op. 65: No. 11. A l'ombre, pres de la fontaine de marbre's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Les heures persanes, Op. 65: No. 11. A l'ombre, pres de la fontaine de marbre BPM

The tempo marking of Les heures persanes, Op. 65: No. 11. A l'ombre, pres de la fontaine de marbre by Charles Koechlin, Cindy Lin is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

Les heures persanes, Op. 65: No. 11. A l'ombre, pres de la fontaine de marbre Key

G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Nocturne No. 2 in C Minor	John Field, Benjamin Frith	C Minor	0	5A	67 BPM
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume	Robert Schumann, Kian Soltani, Aaron Pilsan	F Major	0	7B	116 BPM
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro	Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz	D Major	2	10B	126 BPM
Petite suite de concert, Op. 77: III. Un sonnet d'amour	Samuel Coleridge-Taylor, Chicago Sinfonietta, Paul Freeman	A Major	0	11B	71 BPM
Aus aller Herren Landern (From Foreign Lands), Op. 23: I. Russian: Allegretto	Moritz Moszkowski, Markus Pawlik, Polish National Radio Symphony Orchestra, Antoni Wit	A Minor	0	8A	87 BPM
4 Vocalises, Op. 212 (arr. L. Lencses): Vocalise No. 1	Lajos Lencsés, Charles Koechlin, Toulouse National Chamber Orchestra, Alain Moglia	A Minor	1	8A	0 BPM
Roman Sketches, Op. 7: III. The Fountain of the Acqua Paola	Charles Griffes, Emanuele Torquati	A♭ Major	1	4B	70 BPM
Piano Trio No. 1 in D Minor, Op. 32: III. Elegia	Anton Arensky, Wilkomirski Trio	G Minor	0	6A	110 BPM
7 Variations on an original theme, Op. 9, J. 55: Andante	Carl Maria von Weber, Michael Endres	F Major	0	7B	121 BPM
Symphony No. 8 in G Minor, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace	Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis	G Major	1	9B	130 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6790153980255127

End: 0.6833741664886475