Jacques Offenbach, Michel Plasson, André Batisse, Christiane Château, Luis Masson, Michel Sénéchal, Orchestre Du Capitole De Toulouse made "Offenbach: La vie parisienne, Act 1: Triolet. "Ce que c'est pourtant que la vie" - Dialogue. "Les voici, Monsieur, les voici" (Gardefeu, Joseph, Le Baron, La Baronne)" available on September 15, 2023. The duration of Offenbach: La vie parisienne, Act 1: Triolet. "Ce que c'est pourtant que la vie" - Dialogue. "Les voici, Monsieur, les voici" (Gardefeu, Joseph, Le Baron, La Baronne) is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Offenbach: La vie parisienne, Act 1: Triolet. "Ce que c'est pourtant que la vie" - Dialogue. "Les voici, Monsieur, les voici" (Gardefeu, Joseph, Le Baron, La Baronne)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Offenbach: La vie parisienne". In this album, this song's track order is #4. Furthermore, we believe that the track originated from France. In terms of popularity, Offenbach: La vie parisienne, Act 1: Triolet. "Ce que c'est pourtant que la vie" - Dialogue. "Les voici, Monsieur, les voici" (Gardefeu, Joseph, Le Baron, La Baronne) is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Offenbach: La vie parisienne, Act 1: Triolet. "Ce que c'est pourtant que la vie" - Dialogue. "Les voici, Monsieur, les voici" (Gardefeu, Joseph, Le Baron, La Baronne) by Jacques Offenbach, Michel Plasson, André Batisse, Christiane Château, Luis Masson, Michel Sénéchal, Orchestre Du Capitole De Toulouse having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen, Opera Suite No. 2: II. Habanera (Act 1) | London Festival Orchestra Alfred Scholz | D Major | 0 | 10B | 123 BPM | ||
Jazz Suite No. 1: II. Polka | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | C Major | 2 | 8B | 134 BPM | ||
Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
Offenbach: Les Brigands: Overture | Jacques Offenbach, John Eliot Gardiner, Orchestre de l'Opéra de Lyon | E♭ Major | 2 | 5B | 89 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Don Giovanni, a cenar teco m'invitasti" | Wolfgang Amadeus Mozart, Vitalij Kowaljow, Ildebrando D'Arcangelo, Luca Pisaroni, Mahler Chamber Orchestra, Yannick Nézet-Séguin, Vocalensemble Rastatt | C Minor | 2 | 5A | 99 BPM | ||
Mozart: Zaide, K. 344/336b, Act 1 Scene 3: No. 3, Arie, "Ruhe sanft, mein holdes Leben" (Zaide) | Wolfgang Amadeus Mozart, Natalie Dessay, Orchestra of the Age of Enlightenment, Louis Langrée | G Major | 1 | 9B | 166 BPM | ||
Le Beau Danube (The Blue/Beautiful Danube) | Johann Strauss II, Edouard Strauss Orchestra, Edouard Strauss | C Major | 0 | 8B | 86 BPM | ||
Die lustige Witwe (The Merry Widow) (2000 - Remaster): XIV. Lippen schweigen (Danilo/Hanna) | Franz Lehár, Eberhard Waechter/Elisabeth Schwarzkopf/Philharmonia Orchestra/Lovro von Matacic, Eberhard Waechter, Lovro Von Matacic, Philharmonia Orchestra | G Major | 1 | 9B | 85 BPM | ||
Annen Polka, Op. 117 | Orchestra of the Viennese Volksoper & Alfred Scholz | D Major | 1 | 10B | 79 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | F♯ Minor | 1 | 11A | 79 BPM |
Section: 0.6177396774291992
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