"12 Impressions: No. 5. Poeme" by Leopold Godowsky, Nazrin Rashidova, Roderick Chadwick was released on June 4, 2013. Since 12 Impressions: No. 5. Poeme is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Leopold Godowsky, Nazrin Rashidova's "Godowsky: 12 Impressions" album is number 6 out of 17. 12 Impressions: No. 5. Poeme is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 12 Impressions: No. 5. Poeme by Leopold Godowsky, Nazrin Rashidova, Roderick Chadwick to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Seasons, Op. 37b: VI. June, "Barcarolle" | Pyotr Ilyich Tchaikovsky, Yefim Bronfman | G Minor | 0 | 6A | 87 BPM | ||
Suite bergamasque, L. 75: 1. Prélude | Claude Debussy, Seong-Jin Cho | F Major | 0 | 7B | 90 BPM | ||
Berceuse, S. 174 | Franz Liszt, Benjamin Grosvenor | D♭ Major | 0 | 3B | 136 BPM | ||
8 Pièces brèves, Op. 84: No. 5, Improvisation in C-Sharp Minor | Gabriel Fauré, Christine Croshaw | F♯ Minor | 0 | 11A | 70 BPM | ||
Schumann: Davidsbündlertänze, Op. 6, Heft II: No. 14, Zart und singend | Robert Schumann, Jonathan Biss | E♭ Major | 0 | 5B | 135 BPM | ||
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
Suite bergamasque, L. 75: 4. Passepied | Claude Debussy, Seong-Jin Cho | F♯ Minor | 0 | 11A | 94 BPM | ||
Ecossaises, Op. 72: Three Ecossaises, Nos. 3, 4 & 5 - Duo-Art 5741 | Frédéric Chopin, Peter Phillips, Leopold Godowsky | G Major | 2 | 9B | 115 BPM | ||
Studies on Chopin's Etudes: No. 16a in G-Flat Major for Left Hand on Etude, Op. 10 No. 8 (2nd Version) | Leopold Godowsky, Marc-André Hamelin | E Major | 1 | 12B | 67 BPM | ||
Debussy: Piano Trio in G Major, L. 5: I. Andantino con moto allegro | Claude Debussy, Bertrand Chamayou | C Major | 1 | 8B | 80 BPM |
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