Tatjana Komarova, Sheila Arnold made "Thema mit Variationen: No. 2, Variation I" available on April 2, 2004. With Thema mit Variationen: No. 2, Variation I being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 43 in the song's album "Thème varié". In this album, this song's track order is #37. Furthermore, we believe that the track originated from Germany. Thema mit Variationen: No. 2, Variation I is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Thema mit Variationen: No. 2, Variation I by Tatjana Komarova, Sheila Arnold having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
II. Intermezzo | Morton Feldman, Marilyn Nonken, Stephen Marotto | B♭ Minor | 0 | 3A | 164 BPM | ||
Chôro No. 2, W198 | Heitor Villa-Lobos, Wilhem Latchoumia | B Minor | 3 | 10A | 62 BPM | ||
Variations on a theme of Paganini: Var. 11 | Marc-André Hamelin | C Major | 0 | 8B | 129 BPM | ||
Alchymia: II. The Woods So Wild | Thomas Adès, Mark Simpson, Quatuor Diotima | C Major | 1 | 8B | 78 BPM | ||
Intermezzi for Piano: 2. Zart singend | Jörg Widmann, András Schiff | C Major | 0 | 8B | 0 BPM | ||
Angels All Around | William Anthony | F Major | 0 | 7B | 127 BPM | ||
Hommage à Haydn, CD 123 | Claude Debussy, Steven Osborne | A♭ Major | 0 | 4B | 69 BPM | ||
Concerto for 2 Pianos, K058: III. Quattro variazioni | Igor Stravinsky, Leif Ove Andsnes, Marc-André Hamelin | A♭ Minor | 1 | 1A | 92 BPM | ||
Années de pèlerinage I, S. 160: No. 4, Au bord d'une source | Franz Liszt, Suzana Bartal | A♭ Major | 1 | 4B | 71 BPM | ||
Final Steps | Zion Lambert | G Major | 0 | 9B | 68 BPM |
Section: 0.9028255939483643
End: 0.9072952270507812