"Concerto-Cantata, Op. 65: II. Arioso: Lento assai tranquillissimo - Cantabile - Dolce" by Henryk Górecki, Carol Wincenc, Warsaw Philharmonic Orchestra, Antoni Wit was released on May 1, 2012. With this song being about 5 minutes long, at 4:35, "Concerto-Cantata, Op. 65: II. Arioso: Lento assai tranquillissimo - Cantabile - Dolce" by Henryk Górecki, Carol Wincenc, Warsaw Philharmonic Orchestra, Antoni Wit is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Henryk Górecki, Various Artists, Antoni Wit's "Górecki: Little Requiem for a Certain Polka - Concerto-Cantata - Harpsichord Concerto - 3 Dances" album is number 6 out of 13. Concerto-Cantata, Op. 65: II. Arioso: Lento assai tranquillissimo - Cantabile - Dolce is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto-Cantata, Op. 65: II. Arioso: Lento assai tranquillissimo - Cantabile - Dolce by Henryk Górecki, Carol Wincenc, Warsaw Philharmonic Orchestra, Antoni Wit to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Planets, Op. 32: II. Venus, the Bringer of Peace | Gustav Holst, Leonard Bernstein, New York Philharmonic | B♭ Minor | 0 | 3A | 70 BPM | ||
Utrenja, Part II, "The Resurrection of Christ": I. The Gospel | Krzysztof Penderecki, Iwona Hossa, Agnieszka Rehlis, Piotr Kusiewicz, Piotr Nowacki, Gennady Bezzubenkov, Warsaw Boys Choir, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit | G Major | 8 | 9B | 108 BPM | ||
Peer Gynt, Op. 23 - Incidental Music: No. 12a The Death of Ase | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | B Minor | 0 | 10A | 113 BPM | ||
G-Song | Terry Riley, Kronos Quartet | G Minor | 2 | 6A | 109 BPM | ||
Symphony No. 5 in E-Flat Major, Op. 82: 3. Allegro molto | Jean Sibelius, Boston Symphony Orchestra, Sir Colin Davis | A♭ Major | 1 | 4B | 94 BPM | ||
Fauré: Élégie in C Minor, Op. 24 | Gabriel Fauré, Han-Na Chang, London Symphony Orchestra, Mstislav Rostropovich | A♭ Major | 0 | 4B | 173 BPM | ||
Elegies BV 249: VII. Berceuse | Ferruccio Busoni, Igor Levit | C Major | 0 | 8B | 67 BPM | ||
Quatuor pour la fin du Temps: V. Louange à l'Éternité de Jésus | Olivier Messiaen, Robert Plane, Gould Piano Trio | E Major | 0 | 12B | 81 BPM | ||
The Firebird - Suite (1919): 4. Infernal Dance of King Kaschei | Igor Stravinsky, London Symphony Orchestra, Leopold Stokowski | E Minor | 7 | 9A | 146 BPM | ||
Prelude in C Sharp Minor, Op.3, No.2 (Arr. Orchestra) - Live | Sergei Rachmaninoff, Czech Philharmonic Orchestra, Leopold Stokowski | E♭ Major | 4 | 5B | 124 BPM |
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