Michael Head, NYCoS National Girls Choir, Philip Moore, Christopher Bell's 'Snowbirds: Under the Bower of Night' had a release date set for January 8, 2016. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Snowbirds: Under the Bower of Night's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Only a Singing Bird". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Snowbirds: Under the Bower of Night is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Snowbirds: Under the Bower of Night by Michael Head, NYCoS National Girls Choir, Philip Moore, Christopher Bell having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Five Flower Songs, Op. 47: IV. The Evening Primrose | Benjamin Britten, Finzi Singers, Paul Spicer | D Minor | 1 | 7A | 131 BPM | ||
From the Bavarian Highlands, Op. 27 (Version for Choir & Piano): No. 4, Aspiration | Edward Elgar, Bavarian Radio Chorus, Max Hanft, Howard Arman | F Minor | 2 | 4A | 69 BPM | ||
IFH 7: Warum sind denn die Rosen so blass? | Fanny Mendelssohn, Sivan Goldman, Shira Shaked | A Minor | 3 | 8A | 126 BPM | ||
Anton Bruckner: Ave Maria | Anton Bruckner, Schola Cantorum, Tone Bianca Sparre Dahl | F Major | 1 | 7B | 74 BPM | ||
Trois chansons de Charles d'Orleans L. 92: I. Dieu! qu'il la fait bon regarder | Claude Debussy, Netherlands Chamber Choir | A♭ Minor | 1 | 1A | 78 BPM | ||
Songs of the Countryside (Excerpts): No. 5, Sweet Chance, That Led My Steps Abroad | Michael Head, Emily Gray, Nicole Johnson | C Major | 0 | 8B | 136 BPM | ||
Israel in Egypt, HWV 54, Pt 3. "Moses' Song": IX. Who is like unto thee (Chorus) | George Frideric Handel, Apollo's Fire, Jeannette Sorrell, Apollo's Singers | B Major | 4 | 1B | 110 BPM | ||
Eric Whitacre: Lux aurumque | Eric Whitacre, Schola Cantorum, Tone Bianca Sparre Dahl | D♭ Minor | 1 | 12A | 69 BPM | ||
Liebeslieder-Walzer, Op. 52: No. 10, O wie sanft die Quelle sich | Johannes Brahms, RIAS Kammerchor, Justin Doyle, Angela Gassenhuber, Philip Mayers | C Major | 0 | 8B | 177 BPM | ||
Petite messe solennelle: XVIII. Agnus Dei | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, José Maria Lo Monaco, Francesco Corti, Cristiano Gaudio, Deniel Perer | D Major | 1 | 10B | 91 BPM |