Laura Netzel, Miriam Terragni, Catherine Sarasin made "Tarantelle, Op. 33" available on April 22, 2022. With Tarantelle, Op. 33 being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 17 in the song's album "Trouvez les femmes! Vol. 1 (Female Composers of the Romantic Era)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. Tarantelle, Op. 33 is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Tarantelle, Op. 33 by Laura Netzel, Miriam Terragni, Catherine Sarasin having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Four Scenes of Childhood: I. Good Morning | Franz Waxman, Patrick Savage, Martin Cousin | A Minor | 1 | 8A | 90 BPM | ||
Epigrams | Zoltán Kodály, Megumi Ozawa, Mika Yamamoto | B♭ Major | 0 | 6B | 99 BPM | ||
Lieder Ohne Worte, Zweites Heft, Op. 30 (Arr. for Violin and Piano by Ferdinand David): V. Venetianisches Gondellied: Allegretto tranquillo | Felix Mendelssohn, Michael Barenboim, Natalia Pegarkova-Barenboim | D Major | 1 | 10B | 143 BPM | ||
Vocalise-Etude (arr. for violin and piano) | Gabriel Fauré, Malin Broman, Simon Crawford-Phillips | A Minor | 1 | 8A | 47 BPM | ||
D’un cahier d’esquisses, L.112 (Arr. For Cello And Piano By Olivier Hébert-Bouchard) | Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard | A♭ Major | 0 | 4B | 170 BPM | ||
Ravel : Pavane Pour Une Infante Defunte 라벨 : 죽은 왕녀를 위한 파반느 | Ensemble DITTO | G Major | 0 | 9B | 114 BPM | ||
Plie (Piacer D'amor) [feat. Joyce Hammann] | Steven Mitchell, Joyce Hammann | E Major | 1 | 12B | 80 BPM | ||
Sonata for Piano and Violin No. 3 in G Minor, Op. Posth. 137, D. 408: II. Andante | Franz Schubert, David Grimal, Valery Afanassiev | E♭ Major | 0 | 5B | 89 BPM | ||
Apollon Musagète, K. 048: VII. Variation d'Apollon | Igor Stravinsky, BBC Philharmonic, Andrew Davis | A Minor | 0 | 8A | 97 BPM | ||
Rachmaninov: 14 Romances, Op. 34: No. 14, Vocalise (Transcr. Strauss & Rizikov for Cello and Piano) | Sergei Rachmaninoff, Lisa Strauss, Anastasia Rizikov | F♯ Major | 0 | 2B | 66 BPM |
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