"Harnasie, Op. 55: Tableau 1: Taniec zbojnicki - Final (The Tatra Robbers' Dance - Finale)" by Karol Szymanowski, Wiesław Ochman, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit was released on February 24, 2009. With this song being about 5 minutes long, at 4:41, "Harnasie, Op. 55: Tableau 1: Taniec zbojnicki - Final (The Tatra Robbers' Dance - Finale)" by Karol Szymanowski, Wiesław Ochman, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 15 in the song's album "Szymanowski, K.: Harnasie / Mandragora / Prince Potemkin: Incidental Music To Act V". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Hong Kong. Harnasie, Op. 55: Tableau 1: Taniec zbojnicki - Final (The Tatra Robbers' Dance - Finale) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Harnasie, Op. 55: Tableau 1: Taniec zbojnicki - Final (The Tatra Robbers' Dance - Finale) by Karol Szymanowski, Wiesław Ochman, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Źródło Aretuzy - Mity. Trzy poematy na skrzypce i fortepian Op. 30 | Karol Szymanowski, Beata Warykiewicz-Siwy, Michał Sadzikowski | F♯ Minor | 1 | 11A | 83 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Liszt: Lieder aus Franz Schubert's "Schwanengesang", S. 560: No. 7 Ständchen | Franz Liszt, Mariam Batsashvili | A Minor | 1 | 8A | 120 BPM | ||
Piano Concerto in A Minor, Op. 7: Romanze: Andante non troppo con grazia | Clara Schumann, Francesco Nicolosi, Alma Mahler Sinfonietta, Stefania Rinaldi | G Minor | 7 | 6A | 100 BPM | ||
Sicilienne | Gabriel Fauré, Cocomi, Miloš Karadaglić | E♭ Major | 0 | 5B | 140 BPM | ||
Lyric Pieces Book I, Op. 12: 1. Arietta | Edvard Grieg, Andrei Gavrilov | B♭ Major | 0 | 6B | 72 BPM | ||
Du bist die Ruh', D. 776 (Transc. for Cello & Piano) | Franz Schubert, Kian Soltani, Aaron Pilsan | B♭ Major | 0 | 6B | 171 BPM | ||
Berceuse, Op. 16 | Gabriel Fauré, Cocomi, Niu Niu | A Minor | 1 | 8A | 129 BPM | ||
Lyric Pieces Book I, Op. 12: No. 1 Arietta | Edvard Grieg, Emil Gilels | E♭ Major | 0 | 5B | 130 BPM | ||
Mélancolie | Francis Poulenc, Alexandre Tharaud | D Major | 1 | 10B | 70 BPM |
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