Joseph Bologne, Chevalier de Saint-Georges, Arabella Quartet's ' "6 Quartetto concertans, No. 4 in F Major: II. Rondeau" was released on its scheduled release date, May 27, 2022. The duration of This song is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. 6 Quartetto concertans, No. 4 in F Major: II. Rondeau's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Saint-Georges: 6 Quartetto concertans". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, 6 Quartetto concertans, No. 4 in F Major: II. Rondeau is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With 6 Quartetto concertans, No. 4 in F Major: II. Rondeau by Joseph Bologne, Chevalier de Saint-Georges, Arabella Quartet having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
St. Matthew Passion, BWV 244: Erbarme dich (Arr. Parkin for Violin, Cello and Chamber Ensemble) | Johann Sebastian Bach, Christian Li, David Berlin, Melbourne Symphony Orchestra | B Minor | 1 | 10A | 102 BPM | ||
Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto (Arr. for String Quartet by Paul Cassidy) | Ludwig van Beethoven, Brodsky Quartet | G Major | 1 | 9B | 96 BPM | ||
Romance | Germaine Tailleferre, Adriano Spampanato | D♭ Minor | 1 | 12A | 71 BPM | ||
Mozart: Violin Concerto No. 1 in B-Flat Major, K. 207: II. Adagio | Wolfgang Amadeus Mozart, Anne-Sophie Mutter, Sir Neville Marriner, Academy of St. Martin in the Fields | E♭ Major | 0 | 5B | 110 BPM | ||
L'Arlésienne Suite No. 2: Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 128 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act II: No. 11, Scene. Allegro moderato - Moderato - Allegro vivo | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | G Major | 1 | 9B | 68 BPM | ||
Bassoon Quintet in A Minor: II. Andante sostenuto (Arr. For bassoon and orchestra) | Edouard Du Puy, Christian Davidsson, Sundsvall Chamber Orchestra, Niklas Willen | C Major | 0 | 8B | 88 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: II. Andante | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | G Major | 1 | 9B | 95 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
Quintet in A Major for Clarinet and Strings, K. 581: II. Larghetto | Endres Quartet, Jost Michaels | D Major | 0 | 10B | 74 BPM |