"Tchaikovsky: Swan Lake, Op. 20, Act II: No. 11, Scene. Allegro moderato - Moderato - Allegro vivo" by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra was released on 1976. With this song being about 5 minutes long, at 4:59, "Tchaikovsky: Swan Lake, Op. 20, Act II: No. 11, Scene. Allegro moderato - Moderato - Allegro vivo" by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 31 in the song's album "Tchaikovsky: Swan Lake". In this album, this song's track order is #11. Tchaikovsky: Swan Lake, Op. 20, Act II: No. 11, Scene. Allegro moderato - Moderato - Allegro vivo is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tchaikovsky: Swan Lake, Op. 20, Act II: No. 11, Scene. Allegro moderato - Moderato - Allegro vivo by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.4 in D Minor, Op.13, B.41: 4. Finale (Allegro con brio) | Antonín Dvořák, London Symphony Orchestra, István Kertész | G Major | 2 | 9B | 76 BPM | ||
Prokofiev: Romeo and Juliet, Op. 64, Act 3, Epilogue: Death of Juliet | Sergei Prokofiev, André Previn, London Symphony Orchestra | F Major | 0 | 7B | 84 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
Rossini: Il Barbiere di Siviglia: Overture | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | E Major | 2 | 12B | 88 BPM | ||
Violin Concerto, Op. 48: I. Allegro molto e con brio | Dmitry Kabalevsky, Neeme Järvi, Royal Scottish National Orchestra, Lydia Mordkovitch | C Major | 2 | 8B | 145 BPM | ||
Requiem: IV. Liber Scriptus | Giuseppe Verdi, Sir Colin Davis, Karen Cargill, London Symphony Orchestra | B♭ Major | 0 | 6B | 68 BPM | ||
Symphony No.1 in E Major, Op. 26: V. Allegro | Alexander Scriabin, London Symphony Orchestra, Valery Gergiev | A♭ Major | 0 | 4B | 0 BPM | ||
Concerto for Violin and Orchestra no.1 in F sharp minor op.14: 1. Allegro moderato | Henryk Wieniawski, Gil Shaham, London Symphony Orchestra, Lawrence Foster | F♯ Minor | 1 | 11A | 86 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25, "Classical": II. Larghetto | Sergei Prokofiev, André Previn, London Symphony Orchestra | A Major | 0 | 11B | 104 BPM |
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