"Oboe Sonata in F Major, Op. 13: III. Allegro di molto" by Gustav Schreck, Alessandro Baccini, Alessandro Cappella was released on August 1, 2013. Since Oboe Sonata in F Major, Op. 13: III. Allegro di molto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Virtuosic and enchanting XIX and XX century music for Oboe and Piano by Alessandro Baccini. The song's track number on the album is #7 out of 10 tracks. Oboe Sonata in F Major, Op. 13: III. Allegro di molto is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Oboe Sonata in F Major, Op. 13: III. Allegro di molto by Gustav Schreck, Alessandro Baccini, Alessandro Cappella has a tempo of 78 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Oboe Sonata in F Major, Op. 13: III. Allegro di molto being at 78 BPM, the half-time would be 39 BPM with a double-time of 156 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
8 Short Preludes on Gregorian Themes, Op. 45: III. Pange lingua | Marcel Dupré, Stefan Engels | D Major | 1 | 10B | 129 BPM | ||
Voces intimae, Op. 56: II. Vivace (Arr. string orchestra) | Australian Chamber Orchestra, Richard Tognetti | E♭ Major | 2 | 5B | 74 BPM | ||
Variations on a Theme by Tchaikovsky, Op. 35a: IV. Var. III. Andantino Tranquillo | Pyotr Ilyich Tchaikovsky, Anton Arensky, Edward Elgar, Robert Fuchs, Orchestra Orfeo, Domenico Famà | E Major | 1 | 12B | 86 BPM | ||
Apollon Musagète, K. 048: VII. Variation d'Apollon | Igor Stravinsky, BBC Philharmonic, Andrew Davis | A Minor | 0 | 8A | 97 BPM | ||
Norwegian Dances, Op. 35: No. 2 in A Major | Edvard Grieg, Hans Sitt, Iceland Symphony Orchestra, Bjarte Engeset | A Major | 0 | 11B | 106 BPM | ||
Tchaikovsky / Arr. Nakariakov: Andante cantabile for Flugelhorn and Orchestra (After String Quartet No. 1, Op. 11) | Pyotr Ilyich Tchaikovsky, Sergei Nakariakov, Vladimir Ashkenazy, Philharmonia Orchestra | F Major | 8 | 7B | 140 BPM | ||
Suite No. 1 for Chamber Orchestra: I. Andante | Igor Stravinsky, Josep Pons, Orquestra De Cambra Teatre Lliure | C Minor | 0 | 5A | 77 BPM | ||
Symphonie No. 3 in E-Flat Major, Op. 97: III. Nicht schnell (Moderato) | Robert Schumann, Dresdner Philharmonie, Marek Janowski | A♭ Major | 0 | 4B | 100 BPM | ||
Introduction & Variations on "Trockne Blumen", Op. 160, D. 802 (Arr. for Flute & String Quintet by Anonymous): Var. 1 | Franz Schubert, Krzysztof Kaczka, Metropolitan Opera Orchestra | E Major | 2 | 12B | 83 BPM | ||
Holy and Celestial Harmony | Ludwig van Beethoven, Shoko Sugitani, Berliner Symphoniker, Gerard Oskamp | E Major | 0 | 12B | 111 BPM |
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