Giovanni Bononcini, Anner Bylsma made "Bononcini : Cello Sonata No.1 in A minor : III Grazioso - Minuet - Grazioso" available on 1969. The duration of Bononcini : Cello Sonata No.1 in A minor : III Grazioso - Minuet - Grazioso is about 3 minutes long, at 3:24. Based on our data, "Bononcini : Cello Sonata No.1 in A minor : III Grazioso - Minuet - Grazioso" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 11 out of 19 in Baroque Music for Cello by Anner Bylsma. In terms of popularity, Bononcini : Cello Sonata No.1 in A minor : III Grazioso - Minuet - Grazioso is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Bononcini : Cello Sonata No.1 in A minor : III Grazioso - Minuet - Grazioso by Giovanni Bononcini, Anner Bylsma is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trio sonata no 2 in g minor ; Menuet 1 and menuet 2 | Giovanni Bononcini, Yasunori Imamura, Fons Musicae | A Major | 1 | 11B | 69 BPM | ||
Violin Sonata in G Minor, Op. 5 No. 5 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): V. Giga (Allegro) | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | F Minor | 0 | 4A | 124 BPM | ||
Concerto in C Minor, Op. 6 No. 3: III. Grave | Arcangelo Corelli, Musica Amphion, Pieter-Jan Belder | B♭ Minor | 2 | 3A | 70 BPM | ||
Sinfonia a quattro: III. Allegro | František Tůma, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": V. Air | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | F♯ Minor | 2 | 11A | 91 BPM | ||
Médée, H. 491, Prologue: Trio et chœur. "Paraissez, charmante victoire" | Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet, David Tricou, Fabien Hyon, Adrien Fournaison | B♭ Major | 2 | 6B | 179 BPM | ||
When Saul was king: II. How are the mighty fallen | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music, Helen Charlston, Guy Cutting | B Minor | 2 | 10A | 71 BPM | ||
Little Consort in Two Parts for Severall Friends in C minor-major: VII. Courante | Matthew Locke, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Zaïde, reine de Grenade, Acte I Scène 5: Rondeau pour les Abencérages | Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset | F Minor | 2 | 4A | 176 BPM | ||
Monteverdi: L'Orfeo, SV 318, Act 1: "Vieni Imeneo" | Claudio Monteverdi, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir | A Minor | 0 | 8A | 95 BPM |
Section: 0.769810676574707
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