"Requiem for a Requiem (Philip Blackburn remix)" by Robert Moran, Philip Blackburn, Trinity Youth Chorus, Grassauer Blaserensemble, Iowa Percussion was released on September 6, 2011. Since Requiem for a Requiem (Philip Blackburn remix) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "Trinity Requiem - Seven Sounds Unseen - Notturno in Weiss - Requiem for a Requiem". In this album, this song's track order is #13. In terms of popularity, Requiem for a Requiem (Philip Blackburn remix) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Requiem for a Requiem (Philip Blackburn remix) by Robert Moran, Philip Blackburn, Trinity Youth Chorus, Grassauer Blaserensemble, Iowa Percussion having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messa a quattro voci, SV 190: I. Kyrie | Claudio Monteverdi, Krijn Koetsveld, Le Nuove Músiche | B Minor | 1 | 10A | 130 BPM | ||
Cypresses, B. 152: No. 9, Thou Only Dear One, but for Thee. Moderato | Antonín Dvořák, Panocha Quartet | G Minor | 1 | 6A | 90 BPM | ||
Mass No. 2 in E Minor, WAB 27 (1882 Version): IV. Sanctus | Anton Bruckner, Bavarian Radio Chorus, Peter Dijkstra, Munich Radio Orchestra | D♭ Minor | 2 | 12A | 116 BPM | ||
Diamond Dawn | Trayus Digital | D Minor | 1 | 7A | 80 BPM | ||
Liturgical Chants: 4 Spiritual Songs: Alleluia | Valentin Silvestrov, Ieva Ezeriete, Karlis Rutentals, Dace Strautmane, Latvian Radio Choir, Sigvards Kļava | G Major | 0 | 9B | 128 BPM | ||
To the Hands: No. 2. In Medio (In The Midst) | Caroline Shaw, The Crossing, International Contemporary Ensemble, Donald Nally | G Minor | 1 | 6A | 167 BPM | ||
Holy God (Sviatyï Boje) | Georgy Sviridov, Les Métaboles, Léo Warynski | E♭ Minor | 0 | 2A | 66 BPM | ||
Valse "In memoriam Maurice Ravel" | Robert Moran, Yvar Mikhashoff | E♭ Major | 0 | 5B | 63 BPM | ||
Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Hymn of Vesting | Komitas, Armen Badalyan, Latvian Radio Choir, Sigvards Kļava | D Major | 2 | 10B | 131 BPM | ||
Hymns Of The Russian Orthodox Chuch. We Have No Other Help | The choir of the publishing department of the Moscow Patriarchate | A♭ Major | 1 | 4B | 135 BPM |
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