"Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Hymn of Vesting" by Komitas, Armen Badalyan, Latvian Radio Choir, Sigvards Kļava was released on July 10, 2020. With Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Hymn of Vesting being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Komitas, Latvian Radio Choir, Sigvards Kļava's "Komitas: Divine Liturgy" album is number 1 out of 31. On top of that, United States appears to be the country where this track was created. Based on our statistics, Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Hymn of Vesting's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Hymn of Vesting by Komitas, Armen Badalyan, Latvian Radio Choir, Sigvards Kļava to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Liturgy of St. John Chrysostom, Op. 41, TH 75 (Concert Version): No. 3, Come, Let Us Worship | Pyotr Ilyich Tchaikovsky, Latvian Radio Choir, Sigvards Kļava | G Major | 1 | 9B | 116 BPM | ||
All-night Vigil, Op. 37, "Vespers": Resurrection hymn (Troparion): This day of salvation has com to the world | Sergei Rachmaninoff, Latvian Radio Choir, Sigvards Kļava | G Major | 1 | 9B | 87 BPM | ||
We sing Thee | USSR Ministry of Culture Chamber Choir, Valery Polyansky | E♭ Minor | 0 | 2A | 140 BPM | ||
7 Pieces for Voice & Piano (Arr. A. Gabrielian for Violin & Piano): No. 3, The Apricot Tree | Komitas, Vladimir Sergeev, Mikael Ayrapetyan | C Major | 1 | 8B | 73 BPM | ||
Богородице дево радуйся | Мужской камерный хор "Logos" | A♭ Major | 3 | 4B | 84 BPM | ||
Māte Saule | Pēteris Vasks, Latvian Radio Choir | A Minor | 1 | 8A | 109 BPM | ||
Seven Sounds Unseen: No. 1. — | Robert Moran, Musica Sacra, Richard Westenburg | A♭ Major | 0 | 4B | 134 BPM | ||
Pater noster, omnipotens Deus | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | E Minor | 0 | 9A | 77 BPM | ||
Prima die Lectio prima: II. Aleph | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | F♯ Minor | 0 | 11A | 135 BPM | ||
Cherubic Hymn, Op. 7, No. 1 | Pavel Chesnokov, Conspirare, Craig Hella Johnson | B Minor | 1 | 10A | 145 BPM |
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