Tango pathétique - Live - Peter Kiesewetter, Martha Argerich, Gidon Kremer, Mischa Maisky Information

Acousticness: 96%
Danceability: 45%
Energy: 5%
Instrumentalness: 56%
Liveness: 71%
Loudness: 55%
Speechiness: 7%
Valence: 28%
Popularity: 4%
Loudness: -27.235 dB

Summary

Peter Kiesewetter, Martha Argerich, Gidon Kremer, Mischa Maisky's 'Tango pathétique - Live' came out on January 1, 1999. The duration of Tango pathétique - Live is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Tango pathétique - Live's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Shostakovich / Tchaikovsky: Piano Trios". In this album, this song's track order is #21. Furthermore, we believe that the track originated from Germany. Based on our statistics, Tango pathétique - Live's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Tango pathétique - Live BPM

With Tango pathétique - Live by Peter Kiesewetter, Martha Argerich, Gidon Kremer, Mischa Maisky having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Tango pathétique - Live Key

This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Tristan und Isolde, WWV 90: I, AUFZUG 1: Vorspiel - Paraphrase for String Septet by Martina Trumpp	Richard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'Accord	E Major	2	12B	133 BPM
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto (1915 Version)	Jean Sibelius, San Francisco Symphony, Esa-Pekka Salonen	E♭ Major	1	5B	76 BPM
Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Gesang No. 1, —	Peter Kiesewetter, Heinz Rühmann, Symphonieorchester des Bayerischen Rundfunks	D♭ Major	2	3B	132 BPM
Serenade for Strings in E Major, Op. 22, B. 52: I. Moderato	Antonín Dvořák, Charles Rosekrans, Royal Philharmonic Orchestra	D Major	0	10B	119 BPM
Romeo and Juliet, Suite No. 2, Op. 64ter: I. The Montagues and Capulets	Sergei Prokofiev, Antwerp Symphony Orchestra, Elim Chan	B Major	0	1B	124 BPM
A Midsummer Night's Dream, Op. 61: No. 7, Notturno. Andante tranquillo	Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi	E Major	1	12B	72 BPM
Album for the Young, Op. 140: No. 18 Serenade in Bb	The Gerst Ensemble	A Major	2	11B	107 BPM
The Seasons, Op. 67, Pt. 1 "L'hiver": No. 6, Variation de la neige - No. 7, Coda	Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko	C Major	1	8B	138 BPM
La oración del torero, Op. 34 (Version for String Orchestra)	Joaquín Turina, Concerto Málaga, Gil De Gálvez	F Major	0	7B	82 BPM
Summer Night - Suite from 'The Duenna', Op. 123: 3. Minuet	Bournemouth Symphony Orchestra, Paavo Berglund	C Major	1	8B	131 BPM

ISRC: DEF059803380
Label: L-M Records/RCA Records

Section: 0.6271474361419678

End: 0.6322085857391357