"Offertoire pour la messe du jeudi saint, Op. 40" by Alexandre Pierre François Boëly, Leonardo Carrieri was released on August 18, 2020. The duration of Offertoire pour la messe du jeudi saint, Op. 40 is about 3 minutes long, at 3:05. Based on our data, "Offertoire pour la messe du jeudi saint, Op. 40" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Leonardo Carrieri's "L'orgue français du roi soleil à la république" album is number 22 out of 25. On top of that, Switzerland appears to be the country where this track was created. In terms of popularity, Offertoire pour la messe du jeudi saint, Op. 40 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Offertoire pour la messe du jeudi saint, Op. 40 by Alexandre Pierre François Boëly, Leonardo Carrieri to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Toccata E Minor Bwv914 | Valentina Lisitsa | E Major | 2 | 12B | 62 BPM | ||
Requiem in C Minor: II. Graduale | Luigi Cherubini, Martin Pearlman, Boston Baroque | G Major | 1 | 9B | 81 BPM | ||
Deutsche Messe, D. 872: Das Gebet des Herrn: Massig | Franz Schubert, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | E Major | 0 | 12B | 76 BPM | ||
Hamburg Symphony No. 2 in B-Flat Major, Wq. 182: III. Presto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Lux et origo | Steven Sérpa, Ekaterina Nikolaeva | A Major | 0 | 11B | 65 BPM | ||
Wer Nur Den Lieben Gott - Courante | Sietze de Vries | A♭ Major | 2 | 4B | 84 BPM | ||
Mass in D Major, Op. 86, B. 153: I. Kyrie | Antonín Dvořák, Priska Eser-Streit, Barbara Müller, Matthias Rettner, Thomas Hamberger, Harald Feller | D Major | 1 | 10B | 83 BPM | ||
管弦楽組曲 第2番~序曲(J.S.バッハ) | Takeharu Nobuhara, 大阪テレマン・アンサンブル | B Minor | 2 | 10A | 104 BPM | ||
24 Pièces, Op. 20: No. 10, Prélude | Alexandre Pierre François Boëly, Stephanie McCallum | C Major | 1 | 8B | 80 BPM | ||
Lobt Gott, ihr Christen, allzugleich, BuxWV 202 | Dietrich Buxtehude, Friedhelm Flamme | A♭ Minor | 0 | 1A | 70 BPM |
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