Ottorino Respighi, Vienna Symphony Orchestra, Antonio Janigro made "Rossini/Respighi: La Boutique Fantasque (The Fantastic Toyshop): IIII. Tarantella (Allegro con brio); Vivo" available on October 13, 2017. With Rossini/Respighi: La Boutique Fantasque (The Fantastic Toyshop): IIII. Tarantella (Allegro con brio); Vivo being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 44 out of 90 in Big Italian Music Box by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Rossini/Respighi: La Boutique Fantasque (The Fantastic Toyshop): IIII. Tarantella (Allegro con brio); Vivo is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Rossini/Respighi: La Boutique Fantasque (The Fantastic Toyshop): IIII. Tarantella (Allegro con brio); Vivo by Ottorino Respighi, Vienna Symphony Orchestra, Antonio Janigro is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ancient Airs And Dances, Suite No. 1, P. 109: III. Villanella | Ottorino Respighi, Orpheus Chamber Orchestra | B Minor | 0 | 10A | 76 BPM | ||
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | ||
Nocturne No. 5 in B Flat Major, H.37 | John Field, Elizabeth Joy Roe | B♭ Major | 0 | 6B | 65 BPM | ||
The Seasons, Op. 37b: VI. June, "Barcarolle" | Pyotr Ilyich Tchaikovsky, Yefim Bronfman | G Minor | 0 | 6A | 87 BPM | ||
Sicilienne, Op. 78 | Gabriel Fauré, Harriet Krijgh, Kamilla Isanbaeva | E♭ Major | 1 | 5B | 123 BPM | ||
6 Pezzi, P. 44: No. 4. Minuetto | Ottorino Respighi, Konstantin Scherbakov | G Major | 0 | 9B | 132 BPM | ||
African Suite: V. Akinla: Allegro non troppo | Fela Sowande, Chicago Sinfonietta, Paul Freeman | C Major | 0 | 8B | 130 BPM | ||
6 Pezzi, P. 44: No. 3. Notturno | Ottorino Respighi, Konstantin Scherbakov | F♯ Major | 0 | 2B | 87 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 106 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM |
Section: 0.777951717376709
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