"Puts: The Hours, Act 1: "Good Morning, My Love!" (Clarissa, Richard, Angelica, Quentin, Julian) [Live]" by Kevin Puts, Yannick Nézet-Séguin, Atticus Ware, Kyle Ketelsen, Lena Josephine Marano, Patrick Scott McDermott, Renée Fleming, Metropolitan Opera Orchestra had its release date on April 26, 2024. This song appears to be safe for all ages as it is not explicit. There are a total of 26 in the song's album "Puts: The Hours (Live)". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. Puts: The Hours, Act 1: "Good Morning, My Love!" (Clarissa, Richard, Angelica, Quentin, Julian) [Live] is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Puts: The Hours, Act 1: "Good Morning, My Love!" (Clarissa, Richard, Angelica, Quentin, Julian) [Live] by Kevin Puts, Yannick Nézet-Séguin, Atticus Ware, Kyle Ketelsen, Lena Josephine Marano, Patrick Scott McDermott, Renée Fleming, Metropolitan Opera Orchestra having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ariettes oubliées, CD 63, L. 60 (Arr. for Orchestra by Brett Dean): II. Il pleure dans mon cœur | Claude Debussy, Jaime Martin, Siobhan Stagg, Melbourne Symphony Orchestra | B♭ Major | 1 | 6B | 76 BPM | ||
Requiem: Offertory | Matthew Coleridge, The Choir of Royal Holloway, Rupert Gough, Simon Earl, Southern Sinfonia, Maxim Calver, Andrew Thompson | D Major | 1 | 10B | 127 BPM | ||
Le Sable du Sablier: II. Fête | Claude Arrieu, Marielou Jacquard, Flore Merlin | B Minor | 2 | 10A | 79 BPM | ||
12 Songs, Op. 21: VII. Zdes' Khorosho (Orchestral Version) | Sergei Rachmaninoff, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | A Major | 0 | 11B | 76 BPM | ||
Nashville Concerto: III. Rondo - Scherzo | Jurgen De Pillecyn, Eddy Vanoosthuyse, Ataneres Ensemble, Erik Desimpelaere | A♭ Major | 1 | 4B | 83 BPM | ||
Concerto for Cello and Orchestra: II. Allegro appassionato | William Walton, Laura van der Heijden, BBC Scottish Symphony Orchestra, Ryan Wigglesworth | G Minor | 0 | 6A | 103 BPM | ||
If I Were A Swan | Kevin Puts, Conspirare, Craig Hella Johnson | D♭ Major | 1 | 3B | 85 BPM | ||
Manon, Act 2 Scene 4: Adieu notre petite table (Arr. for Countertenor & String Quartet by Eric Mouret) | Jules Massenet, Théophile Alexandre, Quatuor Zaïde | B Minor | 1 | 10A | 128 BPM | ||
Dream Outro | Philip Yoo | A Major | 1 | 11B | 67 BPM | ||
Pelléas et Mélisande, Op. 80: II. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Frankfurt Radio Symphony Orchestra, Paavo Järvi | G Major | 0 | 9B | 129 BPM |