Anonymous , Choir of Clare College, Cambridge, Graham Ross's 'Veni, veni Emmanuel' came out on October 28, 2013. With Veni, veni Emmanuel being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Veni Emmanuel: Music for Advent by Choir of Clare College, Cambridge, Graham Ross, Nicolas Haigh. The song's track number on the album is #1 out of 23 tracks. In terms of popularity, Veni, veni Emmanuel is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Veni, veni Emmanuel by Anonymous , Choir of Clare College, Cambridge, Graham Ross has a tempo of 94 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Veni, veni Emmanuel being at 94 BPM, the half-time would be 47 BPM with a double-time of 188 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem: Kyrie | Johannes Ockeghem, Musica Ficta, Bo Holten | G Major | 1 | 9B | 73 BPM | ||
Domine ad adjuvandum | Jacobus Gallus, Pro Musica, Szabó Dénes | E♭ Major | 1 | 5B | 136 BPM | ||
Warum ist das Licht gegeben dem Mühseligen? Op. 74 No. 1: II. Lasset uns. Wenig bewegter | Johannes Brahms, Cappella Amsterdam, Daniel Reuss | D♭ Major | 2 | 3B | 176 BPM | ||
Where All Roses Go | Michael McGlynn, Apollo5 | B Minor | 1 | 10A | 73 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: IV. Sanctus | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 71 BPM | ||
Tenebrae Responsories, Feria quinta: II. Tristis est anima mea | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | D Minor | 1 | 7A | 171 BPM | ||
Kyrie, "Leroy": Kyrie Leroy | John Taverner, Ars Nova Copenhagen, Paul Hillier | B Minor | 3 | 10A | 119 BPM | ||
From the Bohemian Forest, Op. 68, B. 133: V. Silent Woods (Arr. Niefind & Ribke For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | D♭ Major | 0 | 3B | 85 BPM | ||
Stetit Angelus | Millikin University Choir | A Minor | 1 | 8A | 86 BPM | ||
Eternal Rest | James Whitbourn, Commotio, Henry Parkes, Matthew Berry | G Major | 1 | 9B | 127 BPM |
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