"5 Carols: No. 4, Sweet Was the Song" by Richard Rodney Bennett, Sarah Brailey, Elizabeth Baber Weaver, New York Polyphony was released on September 2, 2014. The duration of 5 Carols: No. 4, Sweet Was the Song is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. 5 Carols: No. 4, Sweet Was the Song's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Sing Thee Nowell". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Sweden. In terms of popularity, 5 Carols: No. 4, Sweet Was the Song is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 5 Carols: No. 4, Sweet Was the Song by Richard Rodney Bennett, Sarah Brailey, Elizabeth Baber Weaver, New York Polyphony having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Entr'acte - From "Murder On The Orient Express" Soundtrack | Richard Rodney Bennett | C Major | 5 | 8B | 139 BPM | ||
Renaissance | John Van Geem | A Minor | 3 | 8A | 89 BPM | ||
Check Out | Original Soundtrack | F♯ Major | 3 | 2B | 141 BPM | ||
Mozart: Concerto For Clarinet And Orchestra In A (K. 622) | Jack Brymer, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 0 | 10B | 84 BPM | ||
Theme from E.T. (The Extra-Terrestrial) | Ron Goodwin | A Minor | 0 | 8A | 79 BPM | ||
The Victorian Kitchen Garden - Suite: Prelude | Paul Reade, Emma Johnson, Skaila Kanga | B♭ Major | 0 | 6B | 67 BPM | ||
Nobody Does It Like Me | Claire Martin, Richard Rodney Bennett | G Major | 2 | 9B | 83 BPM | ||
Around the World – Part I | Victor Young, United Artists Studio Orchestra | E♭ Major | 3 | 5B | 130 BPM | ||
Convento Di Sant'Anna (From "The English Patient") | James Horner, Gabriel Yared, Angèle Dubeau, La Pietà | B Minor | 1 | 10A | 131 BPM | ||
Going to Brideshead | Geoffrey Burgon | C Minor | 1 | 5A | 97 BPM |
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