"7 Dolls' Dances (arr. for trumpet and piano): VII. Dance" by Anonymous, Dmitri Shostakovich, Jouko Harjanne, Kari Hanninen was released on July 1, 2013. With 7 Dolls' Dances (arr. for trumpet and piano): VII. Dance being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jouko Harjanne's "Harjanne, Jouko: The Russian Trumpet" album is number 6 out of 21. On top of that, Finland appears to be the country where this track was created. 7 Dolls' Dances (arr. for trumpet and piano): VII. Dance is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 7 Dolls' Dances (arr. for trumpet and piano): VII. Dance by Anonymous, Dmitri Shostakovich, Jouko Harjanne, Kari Hanninen to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messe de Notre-Dame: XI. Communion. Responsum accepit Symeon | Guillaume de Machaut, Ensemble Organum, Marcel Pérès | E♭ Major | 1 | 5B | 97 BPM | ||
Sisask : Gloria Patri... 24 Hymns for Mixed Choir : VII Deo gratias | Urmas Sisask, The Chamber Choir Eesti Projekt, Anne-Liis Treimann | D Major | 0 | 10B | 83 BPM | ||
Office des laudes : Respons vidi angelum | Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan, Dom Gaston le Nézet | F♯ Major | 0 | 2B | 128 BPM | ||
Regina caeli - Antiphona (tonus monasticus) in Honorem Beatae Mariae Virginis | Anonymous, Benedictine Monks of the Abbey of St. Maurice & St. Maur, Clevaux | G Major | 1 | 9B | 74 BPM | ||
Hymn of the Cherubim (Excerpt 1) | The Russian State Symphony Cappella | B Major | 2 | 1B | 82 BPM | ||
Offertorium: Ave Maria | Cantarte Regensburg | A Major | 1 | 11B | 69 BPM | ||
Tuba sacre fidei - In arboris (Arr. Harre-Jones) | Philippe de Vitry, Orlando Consort | G Major | 1 | 9B | 139 BPM | ||
CondÍtor Alme SÍderum | Anonymous, Choeur des frères dominicains de la province de France | F♯ Minor | 0 | 11A | 139 BPM | ||
Herr, auf dich traue ich (Psalm 31) | Otto Nicolai, Kammerchor Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 81 BPM | ||
Mass for the Nativity of the Virgin: XII. Benedicamus "Domino à deux voix" | Léonin, Ensemble Organum, Marcel Pérès | D♭ Major | 2 | 3B | 70 BPM |
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