"Pelleas et Melisande, Op. 80 (arr. C. Koechlin): VII. La Mort de Melisande - Andante molto, quasi adagio" by Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger was released on May 1, 2012. With this song being about 5 minutes long, at 4:42, "Pelleas et Melisande, Op. 80 (arr. C. Koechlin): VII. La Mort de Melisande - Andante molto, quasi adagio" by Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Charles Koechlin, Heinz Holliger's "Magicien orchestrateur" album is number 9 out of 14. On top of that, Germany appears to be the country where this track was created. Pelleas et Melisande, Op. 80 (arr. C. Koechlin): VII. La Mort de Melisande - Andante molto, quasi adagio is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pelleas et Melisande, Op. 80 (arr. C. Koechlin): VII. La Mort de Melisande - Andante molto, quasi adagio by Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
Schließe mir die Augen beide | Alban Berg, Daniel Hope, Simon Crawford-Phillips | C Major | 0 | 8B | 117 BPM | ||
Le Carnaval des Animaux, R.125: 4. Tortues | Camille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit | B♭ Major | 0 | 6B | 83 BPM | ||
Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
Prélude in A Minor | Maurice Ravel, Benjamin Grosvenor | G Minor | 0 | 6A | 98 BPM | ||
Dances for Ginger, Op. 163: II. Danse lente | Charles Koechlin, Tal & Groethuysen | F Minor | 0 | 4A | 71 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Albumblatt in A Minor | Johannes Brahms, Sophie-Mayuko Vetter | D Minor | 0 | 7A | 138 BPM | ||
Cello Sonata in G Minor, Op. 19: II. Allegro scherzando | Sergei Rachmaninoff, Gautier Capuçon, Yuja Wang | A♭ Major | 0 | 4B | 92 BPM | ||
7 Preludes, Op. 17: No. 3 in D-Flat Major | Alexander Scriabin, Maria Lettberg | A Major | 2 | 11B | 103 BPM |
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