"Romeo And Juliet Fantasy Overture (Excerpt)" by Berlin Symphonic Orchestra was released on May 1, 2010. The duration of Romeo And Juliet Fantasy Overture (Excerpt) is about 3 minutes long, at 3:16. Based on our data, "Romeo And Juliet Fantasy Overture (Excerpt)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of World Classical 2010 by Various Artists. The song's track number on the album is #15 out of 100 tracks. In terms of popularity, Romeo And Juliet Fantasy Overture (Excerpt) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Romeo And Juliet Fantasy Overture (Excerpt) by Berlin Symphonic Orchestra has a tempo of 108 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Romeo And Juliet Fantasy Overture (Excerpt) being at 108 BPM, the half-time would be 54 BPM with a double-time of 216 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hungarian March to the Assault, S. 119 | Franz Liszt, Cincinnati Symphony Orchestra, Erich Kunzel | C Major | 1 | 8B | 132 BPM | ||
Klavierstuck in F, K33b Allegro | The Gerst Ensemble | D Major | 0 | 10B | 98 BPM | ||
Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
Cinderella, Op. 87: Act I: No. 19. Cinderella's Departure for the Ball | Sergei Prokofiev, Gennady Rozhdestvensky, Moscow RTV Symphony Orchestra | D♭ Major | 0 | 3B | 60 BPM | ||
Giselle / Act 1: Introduction | Adolphe Adam, Wiener Philharmoniker, Herbert von Karajan | E♭ Major | 1 | 5B | 135 BPM | ||
25 Études faciles et progressives, Op. 100: No. 20, Tarantelle | Franz Burgmüller, The Gerst Ensemble | B Minor | 0 | 10A | 172 BPM | ||
Mini Hungarian 5 | Dick Walter, David Walter | F♯ Minor | 3 | 11A | 107 BPM | ||
Die Perle von Iberien: Estudiantina Polka | Joseph Hellmesberger, Jr., Czech Philharmonic Chamber Orchestra, John Georgiadis | B♭ Major | 0 | 6B | 153 BPM | ||
Symphonie fantastique, Op. 14, H. 48: II. Un bal - Live | Hector Berlioz, Bavarian Radio Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 88 BPM | ||
Kuolema, JS 113: No. 1, Tempo di valse lente - Poco risoluto | Jean Sibelius, Turku Philharmonic Orchestra, Leif Segerstam | A Minor | 2 | 8A | 125 BPM |
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