Strauss, R: Ariadne auf Naxos, Op. 60, Opera: "Ein Schönes war, hieß Theseus-Ariadne" (Ariadne, Naiad, Dryad, Echo, Harlekin, Zerbinetta, Scaramuccio, Truffaldin)
Richard Strauss, Rudolf Kempe, Staatskapelle Dresden
R. Strauss: Ariadne auf Naxos
6:53 1992
BPM
76
Key
D♭ Major
Camelot
3B

Embed

Share Link

Strauss, R: Ariadne auf Naxos, Op. 60, Opera: "Ein Schönes war, hieß Theseus-Ariadne" (Ariadne, Naiad, Dryad, Echo, Harlekin, Zerbinetta, Scaramuccio, Truffaldin) - Richard Strauss, Rudolf Kempe, Staatskapelle Dresden Information

Acousticness
96%
Danceability
18%
Energy
28%
Instrumentalness
18%
Liveness
12%
Loudness
77%
Speechiness
4%
Valence
6%
Popularity
Loudness
-14.024 dB

Summary

"Strauss, R: Ariadne auf Naxos, Op. 60, Opera: "Ein Schönes war, hieß Theseus-Ariadne" (Ariadne, Naiad, Dryad, Echo, Harlekin, Zerbinetta, Scaramuccio, Truffaldin)" by Richard Strauss, Rudolf Kempe, Staatskapelle Dresden was released on 1992. Since Strauss, R: Ariadne auf Naxos, Op. 60, Opera: "Ein Schönes war, hieß Theseus-Ariadne" (Ariadne, Naiad, Dryad, Echo, Harlekin, Zerbinetta, Scaramuccio, Truffaldin) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 27 in the song's album "R. Strauss: Ariadne auf Naxos". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United Kingdom. Strauss, R: Ariadne auf Naxos, Op. 60, Opera: "Ein Schönes war, hieß Theseus-Ariadne" (Ariadne, Naiad, Dryad, Echo, Harlekin, Zerbinetta, Scaramuccio, Truffaldin) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Strauss, R: Ariadne auf Naxos, Op. 60, Opera: "Ein Schönes war, hieß Theseus-Ariadne" (Ariadne, Naiad, Dryad, Echo, Harlekin, Zerbinetta, Scaramuccio, Truffaldin) BPM

With Strauss, R: Ariadne auf Naxos, Op. 60, Opera: "Ein Schönes war, hieß Theseus-Ariadne" (Ariadne, Naiad, Dryad, Echo, Harlekin, Zerbinetta, Scaramuccio, Truffaldin) by Richard Strauss, Rudolf Kempe, Staatskapelle Dresden having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Strauss, R: Ariadne auf Naxos, Op. 60, Opera: "Ein Schönes war, hieß Theseus-Ariadne" (Ariadne, Naiad, Dryad, Echo, Harlekin, Zerbinetta, Scaramuccio, Truffaldin) Key

This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Romeo and Juliet, Op. 64 - Act 1: The Fight by Sergei Prokofiev, Cleveland Orchestra, Lorin MaazelRomeo and Juliet, Op. 64 - Act 1: The FightSergei Prokofiev, Cleveland Orchestra, Lorin MaazelC Major48B108 BPM
Symphony No. 2 in C Minor Symphony No. 2 in C Minor "Resurrection": III. In ruhig fließender BewegungGustav Mahler, Leonard Bernstein, New York PhilharmonicB Minor010A112 BPM
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) by Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the FieldsHaydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten)Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the FieldsC Major18B68 BPM
Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: III. Allegretto non troppo - Allegro molto vivace by Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester LeipzigMendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: III. Allegretto non troppo - Allegro molto vivaceFelix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester LeipzigE Major212B161 BPM
Romeo and Juliet, Op. 64: Introduction by Sergei Prokofiev, Cleveland Orchestra, Lorin MaazelRomeo and Juliet, Op. 64: IntroductionSergei Prokofiev, Cleveland Orchestra, Lorin MaazelE Major112B112 BPM
Capriccio espagnol, Op. 34: II. Variations by Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard SchwarzCapriccio espagnol, Op. 34: II. VariationsNikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard SchwarzF Major07B92 BPM
Soirees musicales, Op. 9: I. March by Benjamin Britten, Helsingborg Symphony Orchestra, Okko KamuSoirees musicales, Op. 9: I. MarchBenjamin Britten, Helsingborg Symphony Orchestra, Okko KamuB♭ Major16B124 BPM
Lohengrin: Prelude by Richard Wagner, Slovak Philharmonic, Michael HalaszLohengrin: PreludeRichard Wagner, Slovak Philharmonic, Michael HalaszA Major011B75 BPM
Polovetsian Dances from Prince Igor: Introduzione by Alexander Borodin, George Szell, Cleveland OrchestraPolovetsian Dances from Prince Igor: IntroduzioneAlexander Borodin, George Szell, Cleveland OrchestraA Major111B83 BPM
Strauss, R / Arr. Prihoda for Violin and Piano: Stimmungsbilder, Op. 9: No. 2, An einsamer Quelle by Richard Strauss, Renaud Capuçon, Jerome DucrosStrauss, R / Arr. Prihoda for Violin and Piano: Stimmungsbilder, Op. 9: No. 2, An einsamer QuelleRichard Strauss, Renaud Capuçon, Jerome DucrosE♭ Major35B100 BPM
ISRC
GBAYC9200506
Label
L-M Records/RCA Records

Section: 0.784614086151123

End: 0.7879090309143066