Johann Sebastian Bach, Maurizio Baglini, Gianluca Luisi, I Solisti Filarmonici Italiani, Federico Guglielmo made "Concerto for 2 Harpsichords, Strings & Continuo in C Minor, BWV 1060: 2. Adagio" available on May 24, 2019. With this song being about 5 minutes long, at 4:46, "Concerto for 2 Harpsichords, Strings & Continuo in C Minor, BWV 1060: 2. Adagio" by Johann Sebastian Bach, Maurizio Baglini, Gianluca Luisi, I Solisti Filarmonici Italiani, Federico Guglielmo is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 11 out of 18 in Bach: Concertos For 2, 3, 4 Pianos & Strings by Johann Sebastian Bach, Maurizio Baglini, Gianluca Luisi, Marcello Mazzoni, Andrea Padova, Marco Scolastra, I Solisti Filarmonici Italiani, Federico Guglielmo. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. In terms of popularity, Concerto for 2 Harpsichords, Strings & Continuo in C Minor, BWV 1060: 2. Adagio is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Concerto for 2 Harpsichords, Strings & Continuo in C Minor, BWV 1060: 2. Adagio by Johann Sebastian Bach, Maurizio Baglini, Gianluca Luisi, I Solisti Filarmonici Italiani, Federico Guglielmo is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in C Minor, BWV 997 (Arr. for Lute & Recorder): IV. Gigue & Double | Johann Sebastian Bach, Dorothee Oberlinger, Edin Karamazov | B Minor | 1 | 10A | 128 BPM | ||
Pictures at an Exhibition (Orch. M. Ravel): Promenade II | Modest Mussorgsky, フランス国立リヨン管弦楽団, レナード・スラットキン | A♭ Major | 0 | 4B | 73 BPM | ||
Fantasia No. 9 in B Minor, TWV 40:22: III. Allegro | Georg Philipp Telemann, Federico Guglielmo | D♭ Major | 1 | 3B | 105 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 2 in C minor, BWV 847 | Luc Beauséjour | B Minor | 6 | 10A | 110 BPM | ||
Studio per il pianoforte, Book 2, Op. 40: No. 72 in A-Flat Major | Johann Baptist Cramer, Gianluca Luisi | A♭ Major | 0 | 4B | 63 BPM | ||
Bach, JS: Piano Concerto No. 5 in F Minor, BWV 1056: III. Presto | Johann Sebastian Bach, Sir Neville Marriner, Andrei Gavrilov, Academy of St. Martin in the Fields | F Minor | 2 | 4A | 112 BPM | ||
Violin Concerto No. 1 in D Major: II. Andante | Florence Beatrice Price, Er-Gene Kahng, Ryan Cockerham, The Janacek Philharmonic | B♭ Major | 1 | 6B | 79 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Concerto No. 7 in F Major, RV 567: IV. Adagio – Allegro | Antonio Vivaldi, Federico Guglielmo | D Major | 3 | 10B | 134 BPM | ||
Guitar Quintet No. 6 in D Major, G. 448: Guitar Quintet No. 6 in D Major, G. 448: II. Allegro maestoso | Luigi Boccherini, Cuarteto Casals, Carles Trepat | A Major | 1 | 11B | 141 BPM |
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