Nicol Matt, Soloists Of The Freiburger Barockorchester, Heike Hümmer, Jörg Halobek, Jens Wollenschläger, Johann Sebastian Bach, Ute Petersilge, Nordic Chamber Choir, Martina Rotbauer, Robert Sagasser's 'Herr Gott, Dich Loben Wir, Cantate Bwv 120' came out on March 28, 2007. With Herr Gott, Dich Loben Wir, Cantate Bwv 120 being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 13 out of 201 in Bach Edition Vol. 23, Chor by Nicol Matt. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Herr Gott, Dich Loben Wir, Cantate Bwv 120 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Herr Gott, Dich Loben Wir, Cantate Bwv 120 by Nicol Matt, Soloists Of The Freiburger Barockorchester, Heike Hümmer, Jörg Halobek, Jens Wollenschläger, Johann Sebastian Bach, Ute Petersilge, Nordic Chamber Choir, Martina Rotbauer, Robert Sagasser is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Un Sarao de la Chacona | The Royal Wind Music, Capella Sancta María, Alfred Fernández | D♭ Major | 0 | 3B | 145 BPM | ||
Jubilate, o amoeni chori, RV 639 - Gloria in D Major, RV 588: VII. Domine Deus, Agnus Dei: Allegro | Antonio Vivaldi, Jane Archibald, Nils Brown, Anita Krause, Aradia Chorus, Aradia Ensemble, Kevin Mallon | D Major | 3 | 10B | 120 BPM | ||
Ah Holy Jesu | Andrey Jackson | D Major | 1 | 10B | 138 BPM | ||
Macbeth: End of Act 4 – The Earl of Douglas’s Lament | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | B♭ Major | 1 | 6B | 136 BPM | ||
Missa Dolorosa: IV. Sanctus | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Concerto a cinque in D Minor for Solo Oboe and Strings, Op. 9 No. 2: II. Adagio | Tomaso Albinoni, Stefan Schilli, Stuttgart Kammerorchester, Nicol Matt | B♭ Major | 1 | 6B | 93 BPM | ||
Dixit Dominus, HWV 232: VI. Dominus a dextris tuis | George Frideric Handel, Johanna Winkel, Viktoria Wilson, Alex Potter, Hugo Hymas, Andreas Wolf, RIAS Kammerchor, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 108 BPM | ||
Der 42. Psalm „Wie Der Hirsch Schreit“ Op. 42: Coro | Chamber Choir Of Europe, Württembergische Philharmonie Reutlingen, Manfred Bittner, Christof Fischesser, Isabell Müller-Cant, Daniel Sans, Gerhard Nennemann, Reinhard Geller, Felix Mendelssohn, Nicol Matt | F Major | 1 | 7B | 93 BPM | ||
Elias, Op. 70: Part II: Wer bis an das Ende beharrt (No. 32 Chorus) | Felix Mendelssohn, Karl-Friedrich Beringer | D Major | 3 | 10B | 100 BPM | ||
Missa S. Marcellini: VII. Qui tollis peccata mundi - Live at Melk Abbey, 6/10/2000 | Johann Beer, Franz Raml | D♭ Major | 2 | 3B | 82 BPM |
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