Sergei Rachmaninoff, Natalia Gerasimova, Sergei Baikov, Yuri Kutatin, Moscow Chamber Choir, Alexander Karakuts, Vladimir Minin's 'Liturgy of St. John Chrysostom, Op. 31: The Lord's Prayer: Our Father' came out on March 1, 2016. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 17 in the song's album "Rachmaninov: Liturgy of St. Chrysostom, Op. 31". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. Based on our statistics, Liturgy of St. John Chrysostom, Op. 31: The Lord's Prayer: Our Father's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Liturgy of St. John Chrysostom, Op. 31: The Lord's Prayer: Our Father by Sergei Rachmaninoff, Natalia Gerasimova, Sergei Baikov, Yuri Kutatin, Moscow Chamber Choir, Alexander Karakuts, Vladimir Minin having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Massenet: Mélodie-Elégie, Op. 10 No. 5 from "Les Erinnyes" | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | E Minor | 0 | 9A | 73 BPM | ||
Piano Concerto No. 1 in B-Flat Minor, Op. 23, TH. 55: II. Andantino semplice - Prestissimo - Tempo I - Live at Philharmonie, Berlin | Pyotr Ilyich Tchaikovsky, Evgeny Kissin, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 80 BPM | ||
The Bells, Op. 35: 2. Lento (Golden Bells) | Sergei Rachmaninoff, Natalia Troitskaya, Chorus of the Concertgebouw Orchestra, Royal Concertgebouw Orchestra, Vladimir Ashkenazy | B Minor | 2 | 10A | 132 BPM | ||
Die schöne Müllerin, Op. 25, D. 795: No. 19 Der Müller und der Bach | Franz Schubert, Mischa Maisky, Daria Hovora | G Major | 0 | 9B | 96 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
Notturno in G Minor, H-U 337 | Fanny Mendelssohn, Isata Kanneh-Mason | C Minor | 1 | 5A | 69 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
3 Old Viennese Dances: No. 2, Liebesleid (Transcr. for Violin and Orchestra) | Fritz Kreisler, María Dueñas, Wiener Symphoniker, Manfred Honeck | G Major | 0 | 9B | 103 BPM | ||
Five pieces for Two Violins and Piano: I. Prelude- Moderato | Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw | B Minor | 0 | 10A | 82 BPM |
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