"Le Corsaire : Act II, No.22 Coda I" by Orchestra of Ekaterinburg State Academic Opera and Ballet Theatre of Russia, Evgeny Brazhnik was released on January 1, 2003. With Le Corsaire : Act II, No.22 Coda I being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 30 in Ballet Highlights. Adam, Delibes by Orchestra of Ekaterinburg State Academic Opera and Ballet Theatre of Russia. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Le Corsaire : Act II, No.22 Coda I is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Le Corsaire : Act II, No.22 Coda I by Orchestra of Ekaterinburg State Academic Opera and Ballet Theatre of Russia, Evgeny Brazhnik is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hérold & Lanchbery: La fille mal gardée, Act 1: No. 18, Danse du mai | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | B♭ Major | 3 | 6B | 113 BPM | ||
Le Corsaire : Act I, Overture | Orchestra of Ekaterinburg State Academic Opera and Ballet Theatre of Russia, Evgeny Brazhnik | D Major | 1 | 10B | 133 BPM | ||
Explosions Polka Op. 43 | Johann Strauss II, Hallé, Bramwell Tovey | E♭ Major | 3 | 5B | 136 BPM | ||
Alice in Wonderland: Act II: Pas de Trois | Carl Davis, Prague City Philharmonic Orchestra | E♭ Major | 1 | 5B | 93 BPM | ||
Faust, Ballet Music (1869): 5. Les Troyennes (Moderato con moto) | Charles Gounod, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 90 BPM | ||
Masques et Bergamasques, suite, Op.112: 1. Ouverture | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 2 | 7B | 69 BPM | ||
Czech Suite, Op. 39: III. Sousedska. Minuetto | Antonín Dvořák, Janacek Philharmonic Orchestra, Theodore Kuchar | F♯ Major | 1 | 2B | 86 BPM | ||
Act III: Pas De Deux (Kitri & Basil) (Minkus) | Mariinsky Orchestra | C Major | 2 | 8B | 182 BPM | ||
Romeo and Juliet, Op.64 - Act 1: The Departure Of the Guests - Gavotte | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | G Major | 0 | 9B | 136 BPM | ||
Hérold & Lanchbery: La fille mal gardée, Act 2: No. 30, Finale | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | D Major | 2 | 10B | 129 BPM |
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