William Walton, Laurence Olivier, Philharmonia Orchestra & Chorus made "Henry V - Scenes from the film: 'This day is called the Feast of Crispian' (King Henry) - 1994 Digital Remaster" available on 2000. The duration of Henry V - Scenes from the film: 'This day is called the Feast of Crispian' (King Henry) - 1994 Digital Remaster is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Henry V - Scenes from the film: 'This day is called the Feast of Crispian' (King Henry) - 1994 Digital Remaster's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Walton: Henry V - Scenes from the film, and other film music by William Walton. The song's track number on the album is #22 out of 28 tracks. In terms of popularity, Henry V - Scenes from the film: 'This day is called the Feast of Crispian' (King Henry) - 1994 Digital Remaster is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Since Henry V - Scenes from the film: 'This day is called the Feast of Crispian' (King Henry) - 1994 Digital Remaster by William Walton, Laurence Olivier, Philharmonia Orchestra & Chorus has a tempo of 117 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Henry V - Scenes from the film: 'This day is called the Feast of Crispian' (King Henry) - 1994 Digital Remaster being at 117 BPM, the half-time would be 58 BPM with a double-time of 234 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 5/4.
The music key of this track is F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Richard III - Prelude - 1994 Remastered Version | William Walton, Philharmonia Orchestra | E♭ Major | 2 | 5B | 78 BPM | ||
24 Preludes, Op. 11: No. 11 in B Major | Alexander Scriabin, Evgeny Zarafiants | B Major | 0 | 1B | 74 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
On the Overgrown Path / Book 1: No. 7, Good Night! | Leoš Janáček, Olena Kushpler | G Major | 0 | 9B | 58 BPM | ||
Lyric Pieces, Book 1, Op. 12: I. Arietta | Edvard Grieg, Javier Perianes | B♭ Major | 0 | 6B | 72 BPM | ||
Valse Mélancolique | Vladimir Rebikov, Christopher Ferreira | B Minor | 1 | 10A | 113 BPM | ||
Nocturne No. 12 In G Major, H. 58d: Nocturne No. 12 In G Major | Benjamin Frith, John Field | G Major | 0 | 9B | 125 BPM | ||
Ma mère l'oye, M. 62: Apothéose: Le jardin féerique. Lent et grave | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | C Major | 0 | 8B | 83 BPM | ||
Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
Im Abendrot, D. 799 (Version for Cello and Piano) - Musical Moments | Franz Schubert, Kian Soltani, Aaron Pilsan | F♯ Minor | 1 | 11A | 76 BPM |
Section: 0.6123542785644531
End: 0.6198465824127197