Felix Mendelssohn, Karl-Friedrich Beringer's 'Elias, Op. 70: Part I: Rufet lauter! Er hört euch nicht ( (No. 13 Rec. with Chorus)' came out on November 14, 2008. The duration of Elias, Op. 70: Part I: Rufet lauter! Er hört euch nicht ( (No. 13 Rec. with Chorus) is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Elias, Op. 70: Part I: Rufet lauter! Er hört euch nicht ( (No. 13 Rec. with Chorus)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Felix Mendelssohn, Windsbacher Knabenchor, Karl-Friedrich Beringer's "Mendelssohn Bartholdy: Elias" album is number 15 out of 45. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Elias, Op. 70: Part I: Rufet lauter! Er hört euch nicht ( (No. 13 Rec. with Chorus) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Elias, Op. 70: Part I: Rufet lauter! Er hört euch nicht ( (No. 13 Rec. with Chorus) by Felix Mendelssohn, Karl-Friedrich Beringer to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: II. Andante | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | G Major | 1 | 9B | 95 BPM | ||
Concerto For 2 Pianos In A Flat Major: III. Allegro Vivace | Benjamin Frith, RTE Sinfonietta, Hugh Tinney, Felix Mendelssohn | A♭ Major | 1 | 4B | 129 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Suite in B-Flat Major, HWV 434: IV. Menuet | George Frideric Handel, Khatia Buniatishvili | G Minor | 0 | 6A | 59 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
Zigeunerweisen, Op. 20: III. Un poco piú lento | Pablo de Sarasate, Jascha Heifetz, William Steinberg, RCA Victor Symphony Orchestra | C Minor | 1 | 5A | 100 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
13 Pieces, Op. 76: No. 4 Humoresque | Jean Sibelius, Håvard Gimse | D♭ Minor | 1 | 12A | 131 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM |
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