George Frideric Handel, Stuttgart Chamber Orchestra, Karl Münchinger made "Solomon HWV 67 / Act 3: 42. Sinfonia: The Arrival Of The Queen Of Sheba" available on January 1, 1978. The duration of Solomon HWV 67 / Act 3: 42. Sinfonia: The Arrival Of The Queen Of Sheba is about 3 minutes long, at 3:06. Based on our data, "Solomon HWV 67 / Act 3: 42. Sinfonia: The Arrival Of The Queen Of Sheba" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 11 out of 15 in Albinoni / J.S.Bach / Handel / Pachelbel etc.: Adagio / Fugue in G minor / Organ Concerto No.4 / Canon etc. by Stuttgart Chamber Orchestra, Karl Münchinger. In terms of popularity, Solomon HWV 67 / Act 3: 42. Sinfonia: The Arrival Of The Queen Of Sheba is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Solomon HWV 67 / Act 3: 42. Sinfonia: The Arrival Of The Queen Of Sheba by George Frideric Handel, Stuttgart Chamber Orchestra, Karl Münchinger is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Nulla in mundo pax, RV 630: 1. Nulla in mundo pax | Antonio Vivaldi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | E♭ Major | 1 | 5B | 99 BPM | ||
Bach, JS: Brandenburg Concerto No. 4 in G Major, BWV 1049: II. Andante | Johann Sebastian Bach, Monica Huggett, Rachel Beckett, Marion Scott, Orchestra of the Age of Enlightenment | D♭ Major | 0 | 3B | 116 BPM | ||
12 Concerti grossi, Op. 6 / Concerto grosso in C minor, Op. 6, No. 8: Adagio | George Frideric Handel, Thomas Brandis, Emil Maas, Ottomar Borwitzky, Edith Picht-Axenfeld, Horst Goebel, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 2 | 6B | 104 BPM | ||
Deborah, HWV 51: Part I: Chorus - Let thy deeds be glorious | George Frideric Handel, Natacha Ducret, Elisabeth Scholl, Ewa Wolak, Lawrence Zazzo, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos Martini | A Minor | 0 | 8A | 172 BPM | ||
6 Impromptus, Op. 5: Impromptu VI | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 62 BPM | ||
Vivaldi: Concerto for Two Trumpets in C Major, RV 537: II. Largo | Antonio Vivaldi, Sir Neville Marriner, Bernard Soustrot, Maurice André, Academy of St. Martin in the Fields | C Major | 0 | 8B | 99 BPM | ||
Concerto grosso No. 1 in D Major, Op. 6: II. Largo - Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 146 BPM | ||
Concerto in B-Flat Major, Op. 4, No. 6: Concerto in B-Flat Major, Op. 4, No. 6: I. Andante allegro | George Frideric Handel, Richard Egarr, Academy of Ancient Music | A Major | 0 | 11B | 79 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM |
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