"Les Huguenots: "O Beau Pays"" by Edgardo Levi, G Meyerbeer, Dame Joan Sutherland was released on August 18, 2021. Les Huguenots: "O Beau Pays" is about six minutes long, preciously at 5:40, making this song fairly long compared to other songs. The track order of this song in Dame Joan Sutherland's "Joan Sutherland - Opera Favourites" album is number 7 out of 8. On top of that, Australia appears to be the country where this track was created. Les Huguenots: "O Beau Pays" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Les Huguenots: "O Beau Pays" by Edgardo Levi, G Meyerbeer, Dame Joan Sutherland to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Strauss II, J: La chauve-souris, Act 1: Chanson. "Si je bois un peu, beaucoup" (Alfred, Caroline) | Johann Strauss II, Franck Pourcel, Jacqueline Brumaire, Remy Corazza, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 2 | 10B | 127 BPM | ||
Messa da Requiem: II Mors stupebit | Elena Filipova, Cesar Hernandez, Hungarian State Opera Chorus, Carlo Colombara, Gloria Scalchi, Hungarian State Opera Orchestra | A Major | 1 | 11B | 127 BPM | ||
Le Comte Ory / Act 1: "Que les destins prospères" | Gioachino Rossini, Juan Diego Flórez, Marina de Liso, Rosella Bevacqua, Coro da Camera di Praga, Lubomir Matl, Orchestra del Teatro Comunale di Bologna, Jesús López-Cobos | C Major | 4 | 8B | 115 BPM | ||
Lucia di Lammermoor, Act I: Percorrete le spiagge vicine | Gaetano Donizetti, Didier Pieri, Coro del Teatro Carlo Felice di Genova, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | B♭ Major | 4 | 6B | 102 BPM | ||
Bellini: I puritani, Act 1: "Ah per sempre io ti perdei" (Riccardo) | Vincenzo Bellini, Ernest Blanc, Orchestre De La Société Des Concerts Du Conservatoire, Georges Prêtre | D♭ Major | 2 | 3B | 136 BPM | ||
4. Fare thee well, attractive stranger | Arthur Sullivan, Gillian Knight, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | C Major | 2 | 8B | 78 BPM | ||
Rosssini: Messa di Gloria: VIII. Qui tollis peccata mundi | Gioacchino Rossini, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Michael Spyres | B♭ Minor | 1 | 3A | 85 BPM | ||
Meyerbeer: Il crociato in Egitto: "Suona funerea" (Adriano, Cavalieri) | Giacomo Meyerbeer, Michael Spyres, Christophe Rousset, Les Talens Lyriques, Le Jeune Choeur de Paris | G Major | 1 | 9B | 62 BPM | ||
Il pirata, Act II: Act II: Qual suono ferale (Imogene, Choir) | Vincenzo Bellini, Maria Callas, Pier Miranda Ferraro, Constantino Ego, Glade Peterson, Chester Watson, Regina Sarfaty, American Opera Society Chorus, American Opera Society Orchestra, Nicola Rescigno | B Minor | 4 | 10A | 92 BPM | ||
Gounod : Faust: Act 1 "Avant de quitter" [Valentin] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | E♭ Major | 1 | 5B | 78 BPM |
Section: 0.6309804916381836
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