Gerald Barry, Peter Tantsits, Joshua Bloom, Birmingham Contemporary Music Group, Thomas Adès's ' "The Importance of Being Earnest, Act II: And This Is What You Call Bunburying!? (Live)" was released on its scheduled release date, November 4, 2014. The duration of This song is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. The Importance of Being Earnest, Act II: And This Is What You Call Bunburying!? (Live)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gerald Barry, Barbara Hannigan, Peter Tantsits, Katalin Károlyi, Joshua Bloom, Birmingham Contemporary Music Group, Thomas Adès's "Gerald Barry: The Importance of Being Earnest (Live)" album is number 23 out of 37. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, The Importance of Being Earnest, Act II: And This Is What You Call Bunburying!? (Live)'s popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of The Importance of Being Earnest, Act II: And This Is What You Call Bunburying!? (Live) by Gerald Barry, Peter Tantsits, Joshua Bloom, Birmingham Contemporary Music Group, Thomas Adès to be Allegro (fast, quick, and bright) because the track has a tempo of 154 BPM, a half-time of 77BPM, and a double-time of 308 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rieding: Violin concertino in Hungarian Style Op. 21 in A Minor: Andante sostenuto - Allegro moderato | Oskar Rieding, Maria Antònia Pons-Estel Tugores, Valentin Moldovan | A Minor | 2 | 8A | 104 BPM | ||
Symphony No. 7 in A Major, Op. 92: II. Allegretto | Ludwig van Beethoven, George Szell, Cleveland Orchestra | E Minor | 0 | 9A | 77 BPM | ||
The Importance of Being Earnest, Act II: Orchestral Interlude (Live) | Gerald Barry, Birmingham Contemporary Music Group, Thomas Adès | C Major | 2 | 8B | 76 BPM | ||
Cafe Music: I. Allegro | Paul Schoenfield, Lev Polyakin, Charles Bernard, Frances Renzi | E♭ Major | 2 | 5B | 110 BPM | ||
Estampes, L. 100: 1. Pagodes | Claude Debussy, Daniel Barenboim | B Major | 0 | 1B | 68 BPM | ||
The Intelligence Park, Act I: Play for Us, Paradies | Vincent Deane, Gerald Barry, Stephen Richardson, Richard Jackson, Paul Harrhy, Buddug Verona James, Nicholas Clapton, Angela Tunstall, Almeida Ensemble, Robert Houlihan | F Major | 1 | 7B | 132 BPM | ||
Keyboard Suite No. 7 in G Minor, HWV 432: VI. Passacaille | George Frideric Handel, Ludger Remy | D♭ Major | 2 | 3B | 107 BPM | ||
Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 1: The Adoration of the Earth: The Augurs of Spring: Dances of the Young Girls | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | A♭ Minor | 3 | 1A | 104 BPM | ||
Double Bass Concerto, Op. 3: I. Allegro | Serge Koussevitzky, Iván Sztankov, Budapest Symphony Orchestra, Janos Kovacs | F♯ Minor | 1 | 11A | 73 BPM | ||
Capriol Suite: 1. Basse-danse | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | D Minor | 2 | 7A | 133 BPM |