Johann Sebastian Bach, Keith Jarrett made "The Well-Tempered Clavier: Book 1, BWV 846-869: 1. Prelude in B-Flat Minor, BWV 867 - Live in Troy, NY / 1987" available on June 14, 2019. The duration of The Well-Tempered Clavier: Book 1, BWV 846-869: 1. Prelude in B-Flat Minor, BWV 867 - Live in Troy, NY / 1987 is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. The Well-Tempered Clavier: Book 1, BWV 846-869: 1. Prelude in B-Flat Minor, BWV 867 - Live in Troy, NY / 1987's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach, Keith Jarrett's "J.S. Bach: The Well-Tempered Clavier, Book I (Live in Troy, NY / 1987)" album is number 43 out of 48. On top of that, Germany appears to be the country where this track was created. In terms of popularity, The Well-Tempered Clavier: Book 1, BWV 846-869: 1. Prelude in B-Flat Minor, BWV 867 - Live in Troy, NY / 1987 is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of The Well-Tempered Clavier: Book 1, BWV 846-869: 1. Prelude in B-Flat Minor, BWV 867 - Live in Troy, NY / 1987 by Johann Sebastian Bach, Keith Jarrett to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Monferrinas, Op. 49: VIII. Vivace assai | Muzio Clementi, Howard Shelley | B♭ Major | 2 | 6B | 103 BPM | ||
La Visionnaire (25e ordre) | François Couperin, Alexandre Tharaud | E♭ Major | 2 | 5B | 108 BPM | ||
Bach, JS: Sonata for Two Flutes in G Major, BWV 1039: II. Allegro ma non presto | Johann Sebastian Bach, Emmanuel Pahud, Jonathan Manson, Silvia Careddu, Trevor Pinnock | F♯ Major | 1 | 2B | 141 BPM | ||
La Petite Pince-Sans-Rire: 21ème ordre, 4ème livre | François Couperin, Iddo Bar-Shaï | E Minor | 0 | 9A | 76 BPM | ||
Orfeo ed Euridice: Ballet des Ombres Heureuses (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz | F♯ Major | 0 | 2B | 70 BPM | ||
12 German Dances, D790: No.11 | Franz Schubert, Mitsuko Uchida | A♭ Major | 0 | 4B | 111 BPM | ||
English Suite No. 1 in A Major, BWV 806: VI. Double II | Johann Sebastian Bach, Glenn Gould | A Major | 2 | 11B | 100 BPM | ||
II. Der Himmel Lacht! Die Erde Jubilieret BWV 31, 1. Sonata | Holland Boys Choir, Netherlands Bach Collegium, Vincent Van Ballegooien, Sytse Buwalda, Johann Sebastian Bach, Ruth Holton, Nico Van Der Meel, Susan Williams, Peter Frankenberg, Bas Ramselaar, Hendrik Jan Houtsma, Eduard Wesley, Will Wroth, Pieter Jan Leusink | B Major | 4 | 1B | 183 BPM | ||
Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.7 in E flat major BWV876 | Daniel Barenboim | A Minor | 1 | 8A | 120 BPM | ||
Andantino in C Major, Wq. 116/23, H. 249 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | C Major | 0 | 8B | 88 BPM |
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