On 1955, the song "English Suite No. 1 in A Major, BWV 806: VI. Double II" was released by Johann Sebastian Bach, Glenn Gould. With English Suite No. 1 in A Major, BWV 806: VI. Double II being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 159 in the song's album "The Complete Bach Collection Vol. 1 / Glenn Gould". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. In terms of popularity, English Suite No. 1 in A Major, BWV 806: VI. Double II is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With English Suite No. 1 in A Major, BWV 806: VI. Double II by Johann Sebastian Bach, Glenn Gould having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite en La: Cinquième double | Jean-Philippe Rameau, Alexandre Tharaud | C Major | 2 | 8B | 84 BPM | ||
Kinderszenen, Op.15: 13. Der Dichter spricht | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 169 BPM | ||
Lord of Salisbury Pavan and Galliard - Remastered | Orlando Gibbons, Glenn Gould | C Major | 1 | 8B | 87 BPM | ||
Sonata in A Major, No. 6: III. Allegro | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | A♭ Major | 3 | 4B | 123 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
Piano Sonata No. 5 in G Major, K. 283: III. Presto | Wolfgang Amadeus Mozart, Glenn Gould | G Major | 2 | 9B | 112 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Fugue No. 2 in C minor, BWV 847 | Luc Beauséjour | B Minor | 4 | 10A | 85 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Fantasie g-Moll "duobus subjectis" BWV 917 | Inge Rosar, Johann Sebastian Bach | A Minor | 3 | 8A | 64 BPM | ||
Italian Concerto in F Major, BWV 971: III. Presto | Glenn Gould | F Major | 6 | 7B | 142 BPM |
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