Vincenzo Bellini, Montserrat Caballé, Luciano Pavarotti, Orchestra of the Welsh National Opera, Richard Bonynge's 'Norma / Act 1: Eccola! va, mi lascia, ragion non odo' came out on November 11, 1987. With Norma / Act 1: Eccola! va, mi lascia, ragion non odo being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 43 in Bellini: Norma by Vincenzo Bellini, Dame Joan Sutherland, Luciano Pavarotti, Montserrat Caballé, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Norma / Act 1: Eccola! va, mi lascia, ragion non odo is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Norma / Act 1: Eccola! va, mi lascia, ragion non odo by Vincenzo Bellini, Montserrat Caballé, Luciano Pavarotti, Orchestra of the Welsh National Opera, Richard Bonynge is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Santa Lucia luntana (Arr. Chiaramello) | Ermes Alessandro Mario, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo Chiaramello | E Major | 2 | 12B | 102 BPM | ||
Norma / Act 1: Ah! bello a me ritorna | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | F Major | 2 | 7B | 78 BPM | ||
Ah! Tardai troppo… O luce di quest anima (from Linda di Chamounix) | Dame Joan Sutherland, Paris Conservatoire Orchestra, Nello Santi | C Major | 1 | 8B | 109 BPM | ||
Andrea Chénier / Act 4: "Come un bel dì di maggio" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | F♯ Major | 2 | 2B | 85 BPM | ||
Lucia di Lammermoor / Act 2: "Lucia, fra poco a te verrà" | Gaetano Donizetti, Pier Francesco Poli, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F♯ Minor | 2 | 11A | 81 BPM | ||
Bizet: Carmen, WD 31, Act 2: "Non ! Je ne veux plus t'écouter !" (Don José, Carmen) | Georges Bizet, Michel Plasson, Angela Gheorghiu, Roberto Alagna, Orchestre National Du Capitole De Toulouse | G Minor | 3 | 6A | 164 BPM | ||
Rossini: Guillaume Tell, Act 2 Scene 2: "Sombre forêt" (Mathilde) | Gioachino Rossini, Montserrat Caballé | A♭ Major | 1 | 4B | 74 BPM | ||
Se Bastasse Una Canzone | Luciano Pavarotti, Eros Ramazzotti, Steve Gadd, Pino Palladino, Rob Mathes, Robbie Kondor, Orchestra filarmonica di Torino, Marco Boemi | C Major | 7 | 8B | 172 BPM | ||
Norma / Act 2: Deh! non volerli vittime | Vincenzo Bellini, Dame Joan Sutherland, Luciano Pavarotti, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | E Minor | 3 | 9A | 135 BPM | ||
Lucia di Lammermoor / Act 2: "Al ben de'tuoi qual vittima" | Gaetano Donizetti, Dame Joan Sutherland, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | A Major | 1 | 11B | 109 BPM |
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