Kurt Weill, Dawn Upshaw's 'The Saga Of Jenny' came out on July 29, 1994. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Dawn Upshaw's "I Wish It So" album is number 6 out of 14. In terms of popularity, The Saga Of Jenny is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of The Saga Of Jenny by Kurt Weill, Dawn Upshaw to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scherzo a la russe (original Jazz band version, 1944) | Igor Stravinsky, Orchestra of St. Luke's, Robert Craft | G Major | 3 | 9B | 130 BPM | ||
Etudes latines: Néère | Reynaldo Hahn, Véronique Gens, Susan Manoff | F♯ Minor | 0 | 11A | 104 BPM | ||
L'Heure exquise | Reynaldo Hahn, Susan Graham | D♭ Major | 0 | 3B | 79 BPM | ||
Gulda: Concerto for Cello, Wind Orchestra and Band, Op. 129: V. Finale alla marcia | Friedrich Gulda, Edgar Moreau, Raphaël Merlin, Les Forces Majeures | F Major | 6 | 7B | 152 BPM | ||
Offenbach: Les Contes d'Hoffmann, Act 4: "Belle nuit, ô nuit d'amour" (Barcarolle) [Nicklausse, Giulietta, Chorus] | Jacques Offenbach, Sylvain Cambreling, Ann Murray, Jessye Norman, Orchestre De L'Opéra National Du Théatre Royal De La Monnaie, Bruxelles | D Major | 1 | 10B | 81 BPM | ||
Die Sieben Todsünden, '(The) Seven Deadly Sins': Finaletto: Darauf kehrten wir zurück nach Louisiana | Kurt Weill, City Of Birmingham Symphony Orchestra, Sir Simon Rattle, Elise Ross, Anthony Rolfe Johnson, Ian Caley, John Tomlinson, Michael Rippon | E♭ Major | 0 | 5B | 127 BPM | ||
Swing On Beethoven | Philharmonix | C Minor | 1 | 5A | 75 BPM | ||
Trois chansons de Bilitis, L. 90: No. 1, La flûte de Pan | Claude Debussy, Anne Sofie von Otter, Bengt Forsberg | F♯ Major | 0 | 2B | 85 BPM | ||
L’opéra de quat'sous, Act II: Duo de la jalousie | Kurt Weill, Le Balcon, Maxime Pascal, Claïna Clavaron, Marie Oppert | E Major | 3 | 12B | 115 BPM | ||
Pelléas et Mélisande, Op. 80: 4. Sicilienne | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM |
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