Birgit Nilsson, Geoffrey Parsons's 'Seven Songs of Runeberg, Op 13:4 Våren Flyktar Hastigt (Spring Flies Fast)' came out on March 3, 1953. The duration of Seven Songs of Runeberg, Op 13:4 Våren Flyktar Hastigt (Spring Flies Fast) is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Seven Songs of Runeberg, Op 13:4 Våren Flyktar Hastigt (Spring Flies Fast)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 41 in the song's album "Presenting Birgit Nilsson". In this album, this song's track order is #29. Furthermore, we believe that the track originated from Germany. Seven Songs of Runeberg, Op 13:4 Våren Flyktar Hastigt (Spring Flies Fast) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Seven Songs of Runeberg, Op 13:4 Våren Flyktar Hastigt (Spring Flies Fast) by Birgit Nilsson, Geoffrey Parsons having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Son lo spirito che nega - from Mefistofele | Arrigo Boito, Erwin Schrott, Daniele Rustioni | C Major | 3 | 8B | 90 BPM | ||
La fille du régiment / Act 1: Sacré nom d'une pipe! | Gaetano Donizetti, Spiro Malas, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 2 | 9B | 62 BPM | ||
Te Deum, WAB 45: 3. Aeterna fac | Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll | B♭ Major | 4 | 6B | 64 BPM | ||
Carmen, Act I, No.4 Choeur des Cigarières: La cloche a sonné; nous, des ouvrières (Jeunes gens) | Georges Bizet, Choeur Les Elements, Orchestre National Du Capitole De Toulouse, Michel Plasson, Wolff | C Major | 0 | 8B | 94 BPM | ||
Il Barbiere di Siviglia, Act I, Scene One: Ecco ridente in cielo (Conte) | Gioachino Rossini, Alceo Galliera, Philharmonia Orchestra & Chorus, Luigi Alva | C Major | 1 | 8B | 130 BPM | ||
Elektra, Op.58, TrV 223: "Orest!" | Richard Strauss, Birgit Nilsson, Tom Krause, Wiener Philharmoniker, Sir Georg Solti | A♭ Major | 2 | 4B | 86 BPM | ||
Les Contes d'Hoffmann / Act 1: "Glou, glou, glou! Je suis la bière" | Jacques Offenbach, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | F Major | 1 | 7B | 114 BPM | ||
Götterdämmerung, WWV 86D / Prologue: "Mehr gabst du, Wunderfrau, als ich zu wahren weiss" | Richard Wagner, Helga Dernesch, Helge Brilioth, Berliner Philharmoniker, Herbert von Karajan | F Major | 4 | 7B | 71 BPM | ||
Saint-Saëns: Samson et Dalila, Op. 47, Act 1: "Printemps qui commence" (Dalila) | Camille Saint-Saëns, Maria Callas, Georges Prêtre, French National Radio Orchestra | E Major | 1 | 12B | 100 BPM | ||
La fille du régiment / Act 1: Rataplan, rataplan, rataplan | Gaetano Donizetti, Eric Garrett, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E Major | 6 | 12B | 127 BPM |
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