Seven Songs of Runeberg, Op 13:4 Våren Flyktar Hastigt (Spring Flies Fast)
Birgit Nilsson, Geoffrey Parsons
Presenting Birgit Nilsson
2:18 March 3, 1953
BPM
87
Key
F Major
Camelot
7B

Embed

Share Link

Seven Songs of Runeberg, Op 13:4 Våren Flyktar Hastigt (Spring Flies Fast) - Birgit Nilsson, Geoffrey Parsons Information

Acousticness
99%
Danceability
43%
Energy
13%
Instrumentalness
0%
Liveness
10%
Loudness
76%
Speechiness
5%
Valence
36%
Popularity
Loudness
-14.59 dB

Summary

Birgit Nilsson, Geoffrey Parsons's 'Seven Songs of Runeberg, Op 13:4 Våren Flyktar Hastigt (Spring Flies Fast)' came out on March 3, 1953. The duration of Seven Songs of Runeberg, Op 13:4 Våren Flyktar Hastigt (Spring Flies Fast) is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Seven Songs of Runeberg, Op 13:4 Våren Flyktar Hastigt (Spring Flies Fast)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 41 in the song's album "Presenting Birgit Nilsson". In this album, this song's track order is #29. Furthermore, we believe that the track originated from Germany. Seven Songs of Runeberg, Op 13:4 Våren Flyktar Hastigt (Spring Flies Fast) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Seven Songs of Runeberg, Op 13:4 Våren Flyktar Hastigt (Spring Flies Fast) BPM

With Seven Songs of Runeberg, Op 13:4 Våren Flyktar Hastigt (Spring Flies Fast) by Birgit Nilsson, Geoffrey Parsons having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Seven Songs of Runeberg, Op 13:4 Våren Flyktar Hastigt (Spring Flies Fast) Key

F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Son lo spirito che nega - from Mefistofele by Arrigo Boito, Erwin Schrott, Daniele RustioniSon lo spirito che nega - from MefistofeleArrigo Boito, Erwin Schrott, Daniele RustioniC Major38B90 BPM
La fille du régiment / Act 1: Sacré nom d'une pipe! by Gaetano Donizetti, Spiro Malas, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard BonyngeLa fille du régiment / Act 1: Sacré nom d'une pipe!Gaetano Donizetti, Spiro Malas, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard BonyngeG Major29B62 BPM
Te Deum, WAB 45: 3. Aeterna fac by Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-GrollTe Deum, WAB 45: 3. Aeterna facAnton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-GrollB♭ Major46B64 BPM
Carmen, Act I, No.4 Choeur des Cigarières: La cloche a sonné; nous, des ouvrières (Jeunes gens) by Georges Bizet, Choeur Les Elements, Orchestre National Du Capitole De Toulouse, Michel Plasson, WolffCarmen, Act I, No.4 Choeur des Cigarières: La cloche a sonné; nous, des ouvrières (Jeunes gens)Georges Bizet, Choeur Les Elements, Orchestre National Du Capitole De Toulouse, Michel Plasson, WolffC Major08B94 BPM
Il Barbiere di Siviglia, Act I, Scene One: Ecco ridente in cielo (Conte) by Gioachino Rossini, Alceo Galliera, Philharmonia Orchestra & Chorus, Luigi AlvaIl Barbiere di Siviglia, Act I, Scene One: Ecco ridente in cielo (Conte)Gioachino Rossini, Alceo Galliera, Philharmonia Orchestra & Chorus, Luigi AlvaC Major18B130 BPM
Elektra, Op.58, TrV 223: Elektra, Op.58, TrV 223: "Orest!"Richard Strauss, Birgit Nilsson, Tom Krause, Wiener Philharmoniker, Sir Georg SoltiA♭ Major24B86 BPM
Les Contes d'Hoffmann / Act 1: Les Contes d'Hoffmann / Act 1: "Glou, glou, glou! Je suis la bière"Jacques Offenbach, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji OzawaF Major17B114 BPM
Götterdämmerung, WWV 86D / Prologue: Götterdämmerung, WWV 86D / Prologue: "Mehr gabst du, Wunderfrau, als ich zu wahren weiss"Richard Wagner, Helga Dernesch, Helge Brilioth, Berliner Philharmoniker, Herbert von KarajanF Major47B71 BPM
Saint-Saëns: Samson et Dalila, Op. 47, Act 1: Saint-Saëns: Samson et Dalila, Op. 47, Act 1: "Printemps qui commence" (Dalila)Camille Saint-Saëns, Maria Callas, Georges Prêtre, French National Radio OrchestraE Major112B100 BPM
La fille du régiment / Act 1: Rataplan, rataplan, rataplan by Gaetano Donizetti, Eric Garrett, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard BonyngeLa fille du régiment / Act 1: Rataplan, rataplan, rataplanGaetano Donizetti, Eric Garrett, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard BonyngeE Major612B127 BPM
ISRC
DEUE22333640
Label
L-M Records/RCA Records

Section: 0.9456532001495361

End: 0.9496698379516602