"Concerto for Piccolo and Orchestra, Op. 50: I. Andante comodo" by Lowell Liebermann, James Galway was released on 1998. Since Concerto for Piccolo and Orchestra, Op. 50: I. Andante comodo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Lowell Liebermann, James Galway's "James Galway Plays Lowell Liebermann" album is number 1 out of 7. Concerto for Piccolo and Orchestra, Op. 50: I. Andante comodo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto for Piccolo and Orchestra, Op. 50: I. Andante comodo by Lowell Liebermann, James Galway to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite for Violin and Orchestra: I. Pastorale. Andante quasi Allegretto | Frederick Delius, Tasmin Little, Andrew Davis, BBC Philharmonic Orchestra | E♭ Major | 2 | 5B | 69 BPM | ||
Symphonic Dances, Op. 64: III. Allegro giocoso | Edvard Grieg, Bergen Philharmonic Orchestra, Edward Gardner | F Minor | 1 | 4A | 73 BPM | ||
Nocturne No. 6, Op. 328 | David Hackbridge Johnson, Lowell Liebermann | E Major | 1 | 12B | 71 BPM | ||
Sextet for Piano, Clarinet, Horn and String Trio, Op. 37: III. Allegro con sentimento – | Ernst von Dohnányi, Nash Ensemble | G Major | 3 | 9B | 170 BPM | ||
Scaramouche pour 2 pianos: Vif | Darius Milhaud, Edouard Exerjean, Philippe Corre | E Minor | 1 | 9A | 183 BPM | ||
Suite italienne (Arranged for String Orchestra, Harpsichord and Violin by Andreas Fleck): III. Tarantella. Vivace | Igor Stravinsky, Jonian Ilias Kadesha, CHAARTS Chamber Artists | F Major | 4 | 7B | 107 BPM | ||
Skizzen – Kleine Klavierstücke, Op. 11: XI. Book III, 11. Moderato, con molto espressione | Theodor Kirchner, Lowell Liebermann | D♭ Major | 0 | 3B | 60 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai (4) | Maurice Ravel, Klára Würtz, Janacek Philharmonic Orchestra, Theodore Kuchar | G Major | 3 | 9B | 78 BPM | ||
The Lark Ascending: IV. Senza misura | Ralph Vaughan Williams, Hyeyoon Park, Benjamin Grosvenor | D Minor | 2 | 7A | 90 BPM | ||
Septet in E-Flat Major, Op. 65: II. Menuet. Tempo di minuetto moderato | Camille Saint-Saëns, Nash Ensemble | F Major | 1 | 7B | 135 BPM |
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