"Bliss, Act I, Scene 2, "Limbo": "Did you see his wife?"" by Brett Dean, Amanda Holden, Teresa La Rocca, Jane Parkin, Peter Coleman-Wright, Opera Australia Orchestra, Elgar Howarth was released on June 12, 2015. The duration of Bliss, Act I, Scene 2, "Limbo": "Did you see his wife?" is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Bliss, Act I, Scene 2, "Limbo": "Did you see his wife?"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 44 in Bliss by Amanda Holden, Brett Dean, Opera Australia. Going off of the ISRC code of this track, we detected that the origin of this track is from Australia. In terms of popularity, Bliss, Act I, Scene 2, "Limbo": "Did you see his wife?" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bliss, Act I, Scene 2, "Limbo": "Did you see his wife?" by Brett Dean, Amanda Holden, Teresa La Rocca, Jane Parkin, Peter Coleman-Wright, Opera Australia Orchestra, Elgar Howarth is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto: II. Gavotta | Kirmo Lintinen, Trey Lee, English Chamber Orchestra, Emilia Hoving | A Major | 2 | 11B | 105 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): IV. Fileuse - Allegretto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | G Major | 0 | 9B | 90 BPM | ||
Ice | Lauri Porra, Dalia Stasevska, Lahti Symphony Orchestra | B Major | 0 | 1B | 81 BPM | ||
D’un cahier d’esquisses, L.112 (Arr. For Cello And Piano By Olivier Hébert-Bouchard) | Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard | A♭ Major | 0 | 4B | 170 BPM | ||
Viola Concerto: I. Andante comodo | William Walton, Lawrence Power, Ilan Volkov, BBC Scottish Symphony Orchestra | A Minor | 1 | 8A | 139 BPM | ||
A Child of our Time, Part I: The Argument. Man has measured the heavens with a telescope (Alto) | Michael Tippett, Sarah Connolly, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
Hornpipe for Orchestra Extended Version | Luca Schettino | D♭ Minor | 2 | 12A | 75 BPM | ||
A PLAY ABOUT GHOSTS | ЧЕПЦОВ Александр, LEX STONE | D Major | 2 | 10B | 178 BPM | ||
12 Romances, Op. 21: No. 7, How Fair this Spot (Arr. for Piano Trio by Alexander Panfilov) | Sergei Rachmaninoff, Christoph Croisé, Andrey Baranov, Alexander Panfilov | D Major | 0 | 10B | 132 BPM | ||
Suite populaire espagnole (Arr. for Cello & Piano): V. Asturiana | Manuel de Falla, Duo Arnicans | F Minor | 0 | 4A | 105 BPM |
Section: 0.5074806213378906
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