"Faust / Act 3: No.16 "Prenez mon bras" - "Et quoi! toujours seule?"" by Charles Gounod, Marjana Lipovsek, Francisco Araiza, Kiri Te Kanawa, Yevgeny Nesterenko, Bavarian Radio Symphony Orchestra, Sir Colin Davis was released on January 1, 1986. Since Faust / Act 3: No.16 "Prenez mon bras" - "Et quoi! toujours seule?" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Charles Gounod, Kiri Te Kanawa, Francisco Araiza, Yevgeny Nesterenko, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis's "Gounod: Faust" album is number 5 out of 49. On top of that, Netherlands appears to be the country where this track was created. Faust / Act 3: No.16 "Prenez mon bras" - "Et quoi! toujours seule?" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Faust / Act 3: No.16 "Prenez mon bras" - "Et quoi! toujours seule?" by Charles Gounod, Marjana Lipovsek, Francisco Araiza, Kiri Te Kanawa, Yevgeny Nesterenko, Bavarian Radio Symphony Orchestra, Sir Colin Davis to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 2 in D Minor, Op. 40, MWV O11: II. Adagio - Molto sostenuto | Felix Mendelssohn, Benjamin Frith, Slovak State Philharmonic Orchestra, Kosice, Robert Stankovsky | B♭ Major | 0 | 6B | 131 BPM | ||
Nocturne No.2 in E flat major, Op.9 No.2 | Frédéric Chopin, Vladimir Ashkenazy | B♭ Major | 0 | 6B | 129 BPM | ||
Mendelssohns Lieder, S. 547: Auf Flugeln des Gesanges (from Op. 34, No. 2) | Franz Liszt, Joseph Banowetz | A♭ Major | 0 | 4B | 149 BPM | ||
Albéniz: España, Op. 165: II. Tango (Andantino) | Isaac Albéniz, Leif Ove Andsnes | D Major | 0 | 10B | 66 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM | ||
Fantasia On Greensleeves | Ralph Vaughan Williams, Vienna State Opera Orchestra, Adrian Boult | C Minor | 2 | 5A | 84 BPM | ||
Kamarinskaya (Air russe varie) | John Field, Miceal O'Rourke | B♭ Major | 1 | 6B | 92 BPM | ||
Marcha Funebre para una Marioneta / Gounod | Charles Gounod, Roberto Prosseda | D Minor | 1 | 7A | 121 BPM | ||
The Seasons, Op. 67: XIV. Petit Adagio | Alexander Glazunov, Neeme Järvi, Royal Scottish National Orchestra | A Major | 1 | 11B | 87 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM |
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