William Lawes, Scaramouche's 'Sonata (Fantasia-Suite) No. 7 for Violin, Bass Viol and Organ in G Minor: II. [Almaine]' came out on January 1, 2006. With Sonata (Fantasia-Suite) No. 7 for Violin, Bass Viol and Organ in G Minor: II. [Almaine] being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Scaramouche's "Henry Purcell and His Time - 17th Century English Chamber Music" album is number 15 out of 20. On top of that, Netherlands appears to be the country where this track was created. Based on our statistics, Sonata (Fantasia-Suite) No. 7 for Violin, Bass Viol and Organ in G Minor: II. [Almaine]'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Sonata (Fantasia-Suite) No. 7 for Violin, Bass Viol and Organ in G Minor: II. [Almaine] by William Lawes, Scaramouche to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Manuscrit de Tournus: Prélude 16 | Monsieur de Sainte-Colombe, Silvia De Rosso | F♯ Major | 0 | 2B | 80 BPM | ||
Vergine Bella | Marco Da Gagliano, Musica Sequenza, BURAK | A Major | 0 | 11B | 84 BPM | ||
Lawes: Consort Set No. 8 for 6 Viols in F Major, VdGS 90-93: IV. Aire | William Lawes, Fretwork | F Major | 1 | 7B | 85 BPM | ||
Ground in A Minor | Christopher Simpson, Mika Suihkonen, Ballo della Battalia | B Major | 4 | 1B | 98 BPM | ||
La Guitarre Royalle: Sarabande 'La Dauphine' | Francesco Corbetta, Eric Bellocq, Massimo Moscardo | D♭ Minor | 0 | 12A | 79 BPM | ||
Chamber Sonata No. 3 in D Major: VI. Aria affettuoso | Élisabeth Jacquet de La Guerre, Musica Fiorita | D Major | 1 | 10B | 100 BPM | ||
Minuet in C Minor, BWV Anh. 121 | Johann Sebastian Bach, Mahan Esfahani | F♯ Major | 0 | 2B | 151 BPM | ||
12 Sonatas, Opera XVI, Op. 16 No. 1 (Excerpts): II. Largo | Isabella Leonarda, Emanuele Breda, Barbara Mauch-Heinke, Daniela Wartenberg, Toshinori Ozaki, Sofya Gandilyan | A Minor | 2 | 8A | 127 BPM | ||
The First Part of Ayres, French, Pollish and Others: No. 72. A Meditation | Tobias Hume, Philippe Pierlot | B Major | 0 | 1B | 143 BPM | ||
Guitar Quintet No. 4 in D Major, G. 448: I. Pastorale | Luigi Boccherini, José Miguel Moreno, La Real Cámara | A♭ Major | 0 | 4B | 110 BPM |
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