"Manuscrit de Tournus: Prélude 16" by Monsieur de Sainte-Colombe, Silvia De Rosso was released on August 25, 2023. With Manuscrit de Tournus: Prélude 16 being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Monsieur de Sainte-Colombe, Silvia De Rosso's "Monsieur de Sainte-Colombe: Recueil de pièces pour basse de viole seule (From the Manuscrit de Tournus, ca. 1690 - World Premiere Recordings)" album is number 2 out of 35. On top of that, Italy appears to be the country where this track was created. Manuscrit de Tournus: Prélude 16 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Manuscrit de Tournus: Prélude 16 by Monsieur de Sainte-Colombe, Silvia De Rosso to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Rossignol en Amour | François Couperin, Dorothee Oberlinger | D♭ Major | 0 | 3B | 84 BPM | ||
Prelude, P. 98 | John Dowland, Nigel North | F Minor | 1 | 4A | 68 BPM | ||
Suonata: Sarabanda | Giovanni Zamboni, Edin Karamazov | A♭ Major | 0 | 4B | 78 BPM | ||
Frogg Galliard | John Dowland, Andrew Lawrence-King | B Major | 0 | 1B | 105 BPM | ||
Lute Sonata No. 11 in D Minor: I. Fantasia | Silvius Leopold Weiss, Robert Barto | A♭ Minor | 1 | 1A | 153 BPM | ||
La liberazione di Ruggiero dall'isola d'Alcina, Prologue: Sinfonia | Francesca Caccini, Allabastrina, La Pifarescha, Elena Sartori | G Major | 2 | 9B | 60 BPM | ||
Cello Sonata No. 1 in G Minor: I. Grave | Domenico Gabrielli, Roel Dieltiens, Richte Van Der Meer, Konrad Junghanel | F♯ Major | 0 | 2B | 79 BPM | ||
The Indian Queen, Z. 630 : Act III - Trumpet Overture | The Scholars Baroque Ensemble, John Dryden, Henry Purcell | D♭ Major | 1 | 3B | 112 BPM | ||
Sonata sesta for violino solo: I. Adagio | Daniel Purcell, Théotime Langlois de Swarte, Thomas Dunford | E Minor | 0 | 9A | 100 BPM | ||
Le bourgeois gentilhomme: Chaconne | Jean-Baptiste Lully, Emanuela Galli, Yetzabel Arias Fernandez, La Risonanza, Fabio Bonizzoni | C Major | 2 | 8B | 90 BPM |
Section: 0.6119918823242188
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