"Mendelssohn: Elijah, Op. 70, MWV A25, Pt. 1: No. 7a, Double Quartet. "For He Shall Give His Angels Charge over Thee"" by Felix Mendelssohn, Gwyneth Jones, New Philharmonia Chorus, Wandsworth School Boys Choir, Rafael Frühbeck de Burgos was released on 1968. The duration of Mendelssohn: Elijah, Op. 70, MWV A25, Pt. 1: No. 7a, Double Quartet. "For He Shall Give His Angels Charge over Thee" is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Mendelssohn: Elijah, Op. 70, MWV A25, Pt. 1: No. 7a, Double Quartet. "For He Shall Give His Angels Charge over Thee"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 46 in Elijah - Mendelssohn by Felix Mendelssohn, Rafael Frühbeck de Burgos/Dame Gwyneth Jones/Simon Woolf/Dame Janet Baker/Nicolai Gedda/Dietrich Fischer-Dieskau/Wandsworth School Boys' Choir/New Philharmonia Chorus/New Philharmonia Orchestra, Rafael Frühbeck de Burgos, New Philharmonia Orchestra. Mendelssohn: Elijah, Op. 70, MWV A25, Pt. 1: No. 7a, Double Quartet. "For He Shall Give His Angels Charge over Thee" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mendelssohn: Elijah, Op. 70, MWV A25, Pt. 1: No. 7a, Double Quartet. "For He Shall Give His Angels Charge over Thee" by Felix Mendelssohn, Gwyneth Jones, New Philharmonia Chorus, Wandsworth School Boys Choir, Rafael Frühbeck de Burgos is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Menuet in G Minor (trans. W. Kempff) | Wilhelm Kempff, George Frideric Handel, Idil Biret | G Minor | 0 | 6A | 73 BPM | ||
5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: Lento | Alexander Scriabin, Evgeny Zarafiants | A Minor | 0 | 8A | 129 BPM | ||
4 Pieces, Op. 51: 1. Fragilité | Alexander Scriabin, Evgeny Kissin | E♭ Major | 0 | 5B | 69 BPM | ||
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Orfeo ed Euridice: Ballet des Ombres Heureuses (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz | F♯ Major | 0 | 2B | 70 BPM | ||
Allegro molto in C Minor | Fanny Mendelssohn, Heather Schmidt | F Minor | 2 | 4A | 79 BPM | ||
On The Wings Of Song Op. 34 No. 2 | Felix Mendelssohn, Sarah Chang, Charles Abramovic | D Major | 1 | 10B | 84 BPM | ||
Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM | ||
The Seasons, Op. 37b: VI. June, "Barcarolle" | Pyotr Ilyich Tchaikovsky, Yefim Bronfman | G Minor | 0 | 6A | 87 BPM |
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