Pietro Locatelli, Ensemble Violini Capricciosi, Igor Ruhadze made "Concerto in B-Flat Major, Op. 3 No. 7: I. Andante" available on November 1, 2013. Since Concerto in B-Flat Major, Op. 3 No. 7: I. Andante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Pietro Locatelli, Ensemble Violini Capricciosi, Igor Ruhadze's "Locatelli: L'arte del violino, Complete Violin Concertos" album is number 22 out of 45. On top of that, Netherlands appears to be the country where this track was created. Based on our statistics, Concerto in B-Flat Major, Op. 3 No. 7: I. Andante's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Concerto in B-Flat Major, Op. 3 No. 7: I. Andante by Pietro Locatelli, Ensemble Violini Capricciosi, Igor Ruhadze to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso No. 3 in D Minor (after D. Scarlatti): IV. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 87 BPM | ||
Telemann: Concerto for 2 Flutes and Violone in A Minor, TWV 53:a1: III. Loure | Georg Philipp Telemann, Emmanuel Pahud, Berliner Barock Solisten, Jacques Zoon, Klaus Stoll, Rainer Kussmaul | G Minor | 4 | 6A | 120 BPM | ||
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: I. Allegro e non presto | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 2 | 7A | 145 BPM | ||
Concerto Grosso In C Minor, Op. 6, No. 3 : I. Largo | Arcangelo Corelli, Ludovit Kanta, Anna Holbling, Quido Holbling, Daniela Ruso, Capella Istropolitana | C Minor | 1 | 5A | 92 BPM | ||
Water Music, Suite No. 2, HWV 349: Water Music, Suite No. 2, HWV 349: XI. [Allegro] | George Frideric Handel, Akademie für Alte Musik Berlin | D♭ Major | 2 | 3B | 121 BPM | ||
Sinfonia in A Major: III. Presto assai | Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek | A Major | 3 | 11B | 113 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
Concerto For Violin Concertato, Strings And Basso Continuo In A Minor, TWV 51:A1: Allegro | Georg Philipp Telemann, Daniel Hope, Lorenza Borrani, Lucy Gould, Stewart Eaton, William Conway, Enno Senft, Kristian Bezuidenhout, Stefan Maass, Stefan Rath | A Minor | 1 | 8A | 144 BPM | ||
Concerto grosso No. 1 in D Major, Op. 6: II. Largo - Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 146 BPM |
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