"Hamlet Op. 32 - 1932 Production - Act III - The guests' entrance" by City Of Birmingham Symphony Orchestra, Sir Mark Elder was released on June 28, 2005. With Hamlet Op. 32 - 1932 Production - Act III - The guests' entrance being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 44 in the song's album "Shostakovich: Hamlet & King Lear". In this album, this song's track order is #10. Hamlet Op. 32 - 1932 Production - Act III - The guests' entrance is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Hamlet Op. 32 - 1932 Production - Act III - The guests' entrance by City Of Birmingham Symphony Orchestra, Sir Mark Elder having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Gershwin: Rhapsody in Blue (Excerpt, Opening) | George Gershwin, Sir Simon Rattle, Wayne Marshall, City Of Birmingham Symphony Orchestra | C Major | 2 | 8B | 82 BPM | ||
Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
Litolff: Concerto symphonique No. 4 in D Minor, Op. 102: II. Scherzo | Henry Litolff, San Francisco Symphony, Michael Tilson Thomas | D Minor | 3 | 7A | 122 BPM | ||
Adams: Harmonielehre: III. Meister Eckhardt and Quackie | John Adams, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | E Minor | 2 | 9A | 71 BPM | ||
Serenade for Strings in E, Op. 22: 2. Tempo di valse | Antonín Dvořák, Bavarian Radio Symphony Orchestra, Sir Colin Davis | F♯ Minor | 0 | 11A | 93 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | ||
Symphony in C: Adagio | Georges Bizet, Paavo Järvi, Orchestre de Paris | A Minor | 0 | 8A | 125 BPM | ||
Requiem, Op. 63: IVi. Iuste iudex ultionis – | Charles Villiers Stanford, James Way, City Of Birmingham Symphony Orchestra, Martyn Brabbins | B♭ Major | 1 | 6B | 80 BPM | ||
Requiem, Op. 63: IVg. Recordare, Jesu pie | Charles Villiers Stanford, Marta Fontanals-Simmons, Carolyn Sampson, James Way, Ross Ramgobin, University of Birmingham Voices, City Of Birmingham Symphony Orchestra, Martyn Brabbins | E Minor | 1 | 9A | 79 BPM |
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